Thursday, July 24, 2008

HOW LOW CAN YOU GO?

If you grew up in Trinidad or even spent time there you get to realize that Trinidadians are a very critical people, especially when it comes to carnival. Steel pan enthusiasts, critique arrangers and pan sides, mas enthusiasts pass criticism on mas bands and Kings and Queens, Calypsoians, criticize politicians, and Governments, and even Calypsoians and soca artiste can be severely criticized by the public. One aspect of all the disciplines of carnival that Trinis are most critical of is lack of originality, to borrow, re-mix, thief, or copy, a design, a performance, a lyrical construction, can be quickly rejected by the masses with comments like ‘I see that already’, ‘Sparrow do that long time that eh new’, ‘he feel he is Minshall or what?

It is out of this critical aspect of my culture and its scorn of the ‘copy cat’ during Carnival that I found myself rejecting the very notion of a Poison UK.

Born during that period when the Mas band Poison was all the rage in Trinidad, some creatively bankrupt individuals decided that it was a great idea to transport that Poison vibe to the UK, the name, and all the crap Trini bougoues luggage that comes with it,yet another ingredient to add to the London soup of bad imitation parties that take the names of the biggest and best fetes in Trinidad. They even put together a Frankenstein mas band of this and that section of this and that band in Trinidad and pass it of as a Trini experience. Creative Bankruptcy I tell you.

So yesterday I got an email from Specialist Entertainment, a disclaimer if you please, this is what is stated.

The Socalicious Disclaimer - Official Statement from Specialist
Entertainment

Specialist Entertainment would like to make the point that the
'Socalicious' event in Holland is in no way connected to the official
'Socalicious' event which takes place in London, UK. The original event
is an international brand where we promote the ‘World's Best Soca DJs’
annually in the UK, giving them international exposure.

Specialist Entertainment is disappointed with the use of plagiarism
which has been applied in this instance, and is particularly surprised
by the actions of Trini Connection and their ‘brother company’ Poison UK
as both companies are familiar with the original Socalicious brand,
which means they have consciously appropriated the name and concept.

The use of the name 'Socalicious' is subject to legal protection and
should not be misused to promote events which are not linked to or
promoted by Specialist Entertainment.

We will be sending this disclaimer out to the Specialist Entertainment
membership of over 1000 people, as well as all relevant parties and
associates within the industry. Please be sure to do the same.

Please also find attached the current “Original Socalicious” flyer for
your information.

Regards









Now taking a concept from Trinidad is bad enough, but aiding and abetting in the hijacking and boldface plagiarism of an established (since 2001) international Carnival event based in London, like SOCALICIOUS and profiting from it in Amsterdam is asinine to say the least, but my questions to Poison UK and their sister company, Trini Connection & Friends, is, does thinking hurt? Is being original impossible? Is apathy the new style? And, why allyuh so damn LAZY and SHAMELESS?

Anyway Thursday 21st August I know where I'm gonna be .


if you want to be a leader blaze your own trail,










Olympic theme at heart of Carnival this year


The 2012 Olympics will be at the heart of this year's Notting Hill Carnival, Boris Johnson announced today.

The west London event coincides with the closing ceremony of the Beijing Olympics on 24 August, when London officially takes up the mantle of Olympic city.
Mr Johnson said the carnival's theme will be Welcoming The World, reflecting the multicultural spirit of the event and the people across the globe who will visit London for the Games.
He unveiled the plans as he met carnival dancers and was treated to a series of performances that will feature at the festival.
But he stopped short of taking up an invitation to play the bongos, fearful of unflattering publicity shots.
Carnival organisers are working with the team behind the Games handover to erect a 25-square-metre screen in Emslie Horniman's Pleasance, a park near Ladbroke Grove, so crowds can watch the events in Beijing and London live.
The festival takes place over the bank holiday weekend with more than 1.5 million people expected to attend to enjoy the parade of artists from as far as Brazil and Nigeria. The Mayor said: "Notting Hill Carnival is an inimitable event, bringing people of all communities together from across the capital and beyond.
"It illustrates the energy and colour of our great city and this year's event, coinciding with the official handover ceremony at the Olympic Games, will be even more special. The world will be watching London as it accepts the flag and the challenge to stage the best Games ever in 2012.
"This will be a fantastic day out, as well as a historic moment."
Allyson Williams, interim chairwoman of London Notting Hill Carnival, said: "No other event in the UK comes close to matching the artistic spectacle of the carnival. We are proud to be working alongside London 2012, with both demonstrating the capital's ability to host world-class events."
The Mayor also highlighted his family connections to the carnival, having lived in Ladbroke Grove as a boy.
His spokeswoman said: "His aunts would come from all over the country to take part in the weekend-long festival so in fact he was dancing away to the festival years before William Hague or any of the Notting Hill Tory set."
The announcement came as police said they had started targeting potential knife thugs before this year's event. Officers are identifying criminals and troublemakers to keep them away from the festivities. Chief Inspector Jo Edwards said: "We'll be targeting those people we know are planning to go to Carnival simply to commit crime and making sure they can't."
He added that search operations would be put up at the entrances to the carnival to stop people taking in weapons.

Monday, July 21, 2008

Trinidad Carnival cost $87.3 million

SEAN NERO

It cost taxpayers almost $90 million to stage this year’s Carnival according to Culture Minister Marlene Mc Donald.

In a written response distributed during Friday’s sitting of Parliament, Mc Donald revealed figures associated with the staging of the national festival.

She was responding to a question posed by Opposition Member of Parliament for Mayaro Winston “Gypsy” Peters about the total allocation for Carnival 2008.

Mc Donald said, “The total allocation made by Parliament for fiscal year 2007/2008 to the National Carnival Commission (NCC) is $87,297,466.”

Peters also wanted to know how much money was allocated to cultural and social organisations, especially calypso tents for Carnival-related activities.

“The total disbursement of grants to all cultural and social organisations for 2008 Carnival-related activities was $9,611,581. Of this sum, a total of $1,643,300 was disbursed to calypso tents including the chutney and vintage calypso tents,” said Mc Donald.

According to Mc Donald, the NCC achieved varying levels of success, accomplishing several of its goals for the 2008 Carnival, including:

* Refurbishment of some 140 vendors’ booths and the design of food courts to better facilitate patronage and provide for live entertainment/activity during the day.

* Provision of accommodation for paid patrons/foreign visitors during the day.

* Strengthening of the security services for events.

* Improvement of the facilities at Skinner’s Park for the Panorama finals and future cultural productions.

* Improvement of the physical space provided for patrons “on the Greens.”

* Improvement of facilities provided at venues downtown and at Victoria and Adam Smith squares.

She said visitor arrivals for Carnival and Carnival-related activities in 2008 reached 39,115 with 59 per cent of the visitors coming from North America and 19 per cent from the Caribbean.

The minister lauded the fact that T&T’s Carnival has spread throughout the world.

“The spontaneity, creativity and excitement of the street parade and some off-shoot events have been introduced to the rest of the world.

“In particular, T&T can boast that our national festival has spawned 80 masquerades within the Caribbean and the wider diaspora.”

Organisers of Carnival events within the region continually seek the advice and expertise of the National Carnival Commission in the management of their own festivals, she said, adding that this country continued to provide services and training to judges and the mas fraternity in the region.

http://www.guardian.co.tt/news2.html

Monday, July 14, 2008

Chalkdust argues for salvation via calypso By Kevin Baldeosingh Sunday, July 13 2008


“If calypsonians were running Trinidad, there would be no murderers alive!”
This was the assertion of Dr Hollis Liverpool, a.k.a. The Mighty Chalkdust, in a lecture that was part talk and part song at the National Library in Port-of-Spain last Thursday (July 3). Citing lyrics from numerous calypsos from past decades, Chalkdust noted that the solutions to crime proposed by various calypsonians such as Terror, Sparrow, and Duke included public whipping of convicted criminals with the cat o’ nine tails, putting pepper and lime in their wounds, and hanging them without trial. “If they were doing that from 1959 to now, there would be no criminals,” Chalkdust said, smiling widely, adding that if this approach resulted in some innocent persons being executed, this was all right since Luta had sang that “the Master will understand an honest mistake.” His recommendations were enthusiastically cheered by the mostly middle-aged audience which had filled the 100-plus seats of NALIS’s audio-visual room. Chalkdust, who is now a Honorary Distinguished Fellow at the University of Trinidad and Tobago (UTT), was arguing that calypsonians were the equal of social scientists in their understanding of society and their recommendations to solve social problems. But, he complained, “Most governments never recognised calypsonians as being intellectually stimulating in the same way as social scientists.” Chalkdust argued that, while the research of social scientists was considered scientific and true, the research by calypsonians was seen as the outcome of serendipity or accidental discovery. But, he said, the discoveries of social scientists were also often accidental. “We depend, to a large extent, on common sense,” he said, complaining, “But governments don’t see artistes as capable of research.” Because of this, politicians have not accepted the findings of calypsonians as a basis for policy-making. Chalkdust said that the hypothesis of his paper was that the findings of calypsonians were as “potent, authoritative, and true” as the findings of social scientists and that “The conclusions are the same in most undertakings.” Focusing on crime, Chalkdust went on to cite a paper by psychiatrist Dr Hari Maharajh and Aklima Ali which found that the consumption of beer was responsible for 64 percent of minor offences, while beer consumption and unemployment was responsible for 92 percent of such crimes. “What was the thinking of calypsonians?” asked Chalkdust. Backed up by a three-man band, he sang calypsos by Creole (written by Chalkdust himself) and Brother Mudada from 1969 and 1976 which dealt with the problems people from Laventille and John John had in finding work, even when they had university degrees. He also sang Sparrow’s “Education” from 1967, saying, “If that calypso was played in classrooms every day from then to now, we would have less criminals” , adding to enthusiastic applause from the audience that educators should also “cut children’s backsides”. He noted Professor Ramesh Deosaran saying in 2005 that poverty, parenting, lack of moral values, less religion, and lack of education were all factors in rising crime, and said that calypsonians had long identified all these same factors. Throughout the decades, said Chalkdust, the calypsonian had criminalised certain behavioural actions and sought to prevent further crimes being committed. These included domestic violence, prostitution, and murder. “But many of the behavioural patterns condemned by calypsonians are not considered crimes by the State,” he added, frowning. This behaviour included “excess profit”, he said, citing a calypso by Duke which identified white-collar crime as responsible for many social problems and which called for “profiteers” to be locked up just like thieves and killers. He also cited Kitchener’s calypso on the trial of Abdul Malik, which focused on public disapproval of the immunity given to a man named Parmasar, who was one of the killers of American socialite Gale-Ann Benson, but who had become a State witness in return for immunity. The calypso, whose hook line was “Parmasar, dey say you too coomoosar” was sang in its entirety by an Indo-Trinidadian man from the audience who brought great enthusiasm, but only a few on-key notes, to his rendition. “Calypsonians have been in the forefront of combating crime,” Chalkdust asserted, with a serious expression. Their recommendations included Kitchener’s advice about proper parenting; Singing Francine’s exhortation to women to “run away” if they were victims of domestic violence; and Scrunter’s recommendation to young women who were attacked by men offering them lifts – Take De Number. “Great advice,” said Chalkdust. He also sang from his own calypso, emphasising the key line that “The world can’t create civilisation without a Trinidadian”, which listed TT’s winning beauty queens and athletes as proof of this assertion. In another of his calypsos, Chalkdust said in order to stop murders “A child must understand the sanctimonious nature of man”. But he probably meant “sacred”, since the calypso did not actually deal with how man makes a show of being morally superior. In concluding, Chalkdust recommended that the universities should give calypsonians awards and degrees. “They are the equal of social scientists,” he said. And as the evening ended, he was given a standing ovation by most, but not all, of the people in the audience.

http://www.newsday.co.tt/news/0,82423.html

Wednesday, July 09, 2008

IT'S ON THE GRAPE VINE PEOPLE!

Nottinghill Carnival has a history of corruption, be it official or unofficial, stories of stolen funds, mismanaged monies, stolen member lists, can be heard from any experienced Carnivalist. The infamous Carnival grapevine provided me with some information, another example of betrayal, espionage, and a wickedness so pure the serpent himself have to take notes, this latest talk had the Mas Assassin thinking I told them so…

Now the Mas Assassin will never put his hand on heart or swear that the rumors are 100% true, but within these rumors, I do believe there is a lot of truth because, “there are hidden secrets” out there, and when all is not sweet, birds start to tweet tweet tweet, signaling that there is trouble in paradise.

The new talk is that a band leader of a certain sold out band is counting profits upwards of £40.000 from ignorant masqueraders, rumor has it that that this band leader and Co, acquired 90% of their materials from the Masquerading band they were formally part of (you might say it was sent from heaven).

The talk is that the poor ignorant masqueraders have paid upwards of £100 per costume when in fact hey should be paying about £30.00 because “the things dem hot!” but such is life in a fool’s paradise

They on the vine also said that the band that was looted still has a mole on the inside passing things on to the sold out band, on demand. I guess the temptation is too strong to stop.

If fortune does favor the bold, then it have plenty more boldfaceness to follow, and plenty more fortunes to make too, sometimes when you do wrong KARMA, comes back at you like a boomerang from hell so this story not finished yet…

If you don’t know your cultural past you BOUND to repeat the mistakes the ancestors made, WATCH YOUR BACK, because when they finished with you, YOU won’t know that this thing was once yours.

CARNIVAL IS REAL BACHANAL YES!!

Friday, July 04, 2008

DRAGONS 2008: MASK OF THE RED DEATH.









ragons make a return to mas with their version of the Edgar Allan Poe story mask of the red death, I myself thought that dragons had too suffered death being part of cocoyea the past couple years, but their return in conjunction with Release the rhythm can only add more variety to the Carnival.

I missed the RDR and the dragons launch but other devoted carnivalist on the net provided the visuals that told me what I need to know. Now there is a part of me that wants to tear this presentation apart, a concept such as this deservers a professional touch, etc, but I kind of like it …kind of.

Mask of the Red Death, is basically a story bout a masquerade ball thrown by a Prince Prospero during the course of a plague that killing poor people buy the hundreds, “But the Prince Prospero was happy and dauntless and sagacious. When his dominions were half depopulated, he summoned to his presence a thousand hale and light-hearted friends from among the knights and dames of his court, and with these retired to the deep seclusion of one of his castellated abbeys.” in the middle of the party an uninvited figure dressed in a costume of the red plague enters the room and kills the guest and Prince Prospero also.



This dark story is littered with the symbolism of death and the underlying truth that no one can escape its clutches. The designer of the band this year did use her own themes of death for the band with what I will call moderate success, for Mask of the Red Death is a story in which a designer can go deep into and produce a lot of great ideas with relevance to the society we live in today.

The critical eye can tell where the designer got some of her ideas from, and from one designer to another I can only advise this, STOP USING TRINIDAD’S FUN BANDS AS POINTS OF REFRENCE OR INFLUENCE. These practices will surly stunt your creative growth, with this theme ideas and concepts can be found anywhere between 1842 when the story was published and 2002 in ANY part of the world using any other source of influence, and that’s the truth. All said and done there is a little something I like about the designers work, and it is the promise of better things to come in the future that I see in it.

Pictures from Digga D on Island Mix.

Share it.

Translate

Instagram

Instagram

ShareThis

Related Posts Plugin for WordPress, Blogger...

Facebook Badge

MAS REPUBLIC Headlines


This is MassassinnatioN

Global

QR

QR

Subscribe via email

Enter your email address:

Delivered by FeedBurner