Showing posts with label Brazil. Show all posts
Showing posts with label Brazil. Show all posts

Friday, October 26, 2012

From Samba to carnival: Brazil's thriving African culture


The cultural heritage stems from the estimated four million slaves that were brought to the country over a 300 tear period, at least four times as many as to the United States.
Brazil was the last country to abolish the slave trade in 1888. More than half of Brazilians now identify themselves as black or of mixed race, according to the latest census.
Rio de Janeiro   now has the most famous carnival in the world attracting an estimated 1.1 million visitors to the city this year and with 5.3 million people taking part in the street parties, according to the English language newspapers the Rio Times.


Samba dancers perform during a parade celebrating
Brazil's independence from Portugal 190 years ago, at Independence park in Sao Paulo.
Samba was developed in Brazil
 by the descendants of African slaves and draws on West African influences.
After the abolition of slavery, the rituals of the Catholic former colonialists and their former slaves merged to form the origins of modern carnival, according to the Rio Times. One explanation for the origins of carnival is that it began in a Catholic church, Our Lady of the Rosary, built by slaves in the 1700s whose masters wanted them to convert to Catholicism. "The black people that were part of this congregation, most of them came from Congo," said Joao Carlos Desales, a tour guide who took CNN around Rio de Janeiro. "So they were able to organize a celebration where they would choose a man and a woman, and they would be the king and queen of Congo. That celebration turned out to be the beginning of carnival celebrated in Brazil." Even many of Brazil's Catholic saints are said to have African heritage. St Benedict, whose name is remembered in Our Lady of the Rosary church, was a slave from North Africa, who promised to devote himself to Catholicism if he became a free man, Desales said. Brazil's patron saint, Our Lady of Aparecida, a black clay statue of the Virgin Mary, was -- according to some -- found by runaway slaves on their way to Quilombo, a community of runaway slaves. Quilombo communities continue across Brazil to this day. Luis Sacopa, president of the association of Quilombos, runs a restaurant with his 17 members of his family in a piece of jungle in what is now an expensive suburb of Rio de Janeiro. His grandparents found this piece of land after escaping slavery.


Salvador, in Bahia state, northeast Brazil, is the country's third largest city
 and was the country's first colonial capital. It has strong African roots and
 is the center for Afro-Brazilian culture
The family has fought a legal battle to hold on to its land against the threat of eviction, and now has official protection for their right to remain. "Thanks to god we have had success and we're still here at the end of our dispute," said Sacopa. "Thanks to god, the family has united, we're fighting and we're winning the fight against the elite in this expensive neighborhood of Rio de Janeiro." Sacopa said he was able to resist eviction with the help of his Orixas, gods of the Yoruba people of Southwest Nigeria, Benin and Togo. In Brazil, the religion is known as Candomble, and it has a large following in some Afro-Brazilian areas, particularly Salvador in Bahia state. Also on Inside Africa: Why Tanzanians believe in witchcraft Candomble was prohibited in Brazil up until the 1950s, but In Sacopa's restaurant he serves feijoada, a typical Brazilian dish originally created by slaves from their masters' leftovers.

Orixas, deities of the Candomble religion, have been built in Salvador,
 northeastern Brazil. Salvador, which has a large Afro-Brazilian population,
 has many followers of Candomble.
 A new Historical Circuit of African Heritage opened in Rio de Janeiro in 2010 to help tourists and descendants of slaves reconnect with the past slavery. The project began after workers installing a new drainage system in the central districts of Saude and Gamboa discovered hundreds of personal objects belonging to African slaves, according to the Rio Times. Archaeologists established that this was the site of the 19th century slave trading complex, the Cais do Valongo, or Valongo Quays. Many of the discoveries are now on display in the Valongo Gardens, the newspaper reported. Another discovery of recent years is the remains of a squalid slave cemetery in the courtyard of a home in central Rio de Janeiro. Renaldo Tavares, an archeologist who has been studying the discovery, said: "These are human remains mixed in with the garbage from the city. It shows how society in the 19th century treated slaves. "Bones, pieces of ceramic, bits from construction, tiles, animal remains, bits of food, society threw all sorts of things in here. Slaves were considered garbage by society."


Ana de la Merced Guimaraes, the homeowner who discovered the bones in her courtyard, said: "When we started a reform in our house, we found all these bones. We thought it was a family grave, but there was so much we thought maybe it had been a serial killer. "But then we calmed down and talked about it and called a lawyer and the police. And he said don't worry, we aren't going to accuse you, it's probably something very old. "A neighbor told us, a long time ago, your street was a slave cemetery." Brazil's third city Salvador, in Bahia state, northeast Brazil, has some of the strongest links to Africa. Salvador was the first colonial capital of Brazil and its central district, Pelourinho, now a UNESCO world heritage site, was the New World's first slave market from 1553, according to UNESCO.
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Wednesday, January 18, 2012

A LOOK AT BRAZIL.

There is a television series called Black in Latin America where Afro American Professor Henry Louis Gates explores the known and not so well known African Latin American of the Americas, to find out more about the ‘black experience ‘in those parts of the world.

Professor Henry Louis Gates
In the episode below,’ Brazil: A racial paradise?’ Professor Gates explores the society that was once the largest slave economy in the world and now has the biggest black population in the world outside of Africa.

 Take note in the beginning he says something very important about carnival and Brazils’ African slaves and the roots of Brazils Carnival especially in Bahia where most of the enslaved West African were taken.

'The Slaves who came to South America did not sail alone they brought their religion, they brought their gods and they brought their music'
 Basically they brought their culture and with it the root of their carnival traditions. They did not copy their masters like his-storians claim happened in Trinidad, in fact the opposite happened like their brothers in south America the enslaved in Trinidad as well as the rest of the Caribbean practiced their traditions in secrete for years only to unleash it on emancipation day...
The documentary is not about carnival Brazil like all other plantation nations has issues of race and colour that dominates its society even today. Enjoy.




Sunday, April 04, 2010

Vajazzling: We might have to look out for this one...

The other day I was having several conversations with different Carnivalist about the growing trend of the ladies parading the streets for Carnival with their breasts either totally exposed or bejewelled with various stones or caged bras, we touched on everything from copying the Samba dancers of Brazil's Carnival to  using nudity as a  sign of empowerment or social protest during Carnival as the Jamette's  did in 19th century Trinidad Carnivals. After all was said and several possible socio/cultural reasons for rise in this practice in the 21st century one thing we all agreed on its on the rise.

 And this Morning I come across another trend that might catch the eye of the masqueraders that dare to  bare, Vajazzling ie (definition: bedazzling your.... vagina with adornments) and according to Jennifer Love Hewitt making it "shine like a diso ball" seemed to empower her...
Since any thing that appeals to the body beautiful generation quickly becomes part of the carnival aesthetic  like air brushing and stick on stones this practice may soon be seen on the streets POS in a section near you....


Ok  here's a clip where she talks about her 'Vajazzling' 



Somebody should tell them it was ALWAYS about the booty Damn their late...LATE!
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Saturday, March 13, 2010

Rosalind Gabriel...After the mas


Rosalind Gabriel is the undisputed champion of kiddies Carnival. Her elaborate presentations have captured the Band of the Year title for 14 consecutive years, this year being the most recent. “I feel real good about it. I don’t set out to build productions with prizes in mind, I do my best because I love the culture, I love to make children happy with what they wear,” she said when WomanWise contacted her. For years, children’s carnival has surpassed the adult version in terms of creativity and beauty. Gabriel, whose work is often used in events outside of Carnival, has been leading the charge, creating costumes that are elaborate, colourful, and true to her various themes. Her penchant for ornate costumes is a direct influence of the mas she grew up watching. “I grew up on 28 Stone Street, Corbeaux Town as they called it, and when I was little all the mas passed on Ariapita Avenue. All the children ran to the corner to see the bands when they passed; George Bailey, Harold Saldenah, those icons,” she recalled.
Her strict family upbringing didn’t allow for playing mas but thanks to her husband Norman, she was introduced into the world of mas making. “When we were courting, he was friends with Wayne Berkeley and we used to go the mas camp and help him build mas.” Gabriel, 61, has worked with many other bandleaders, among them, Peter Minshall, Steven Lee Heung, and Cito Velasquez. When she had her first child, Gabriel didn’t hesitate to immerse him into the experience she was allowed to watch growing up. “I put my son in mas from the age of two and when he was seven I made his first individual costume. When my last child was 13 and her days in junior mas were coming to an end, I decided to put out my first band with the encouragement of Lil Hart,” she said. In 1989, Gabriel’s first band hit the road in the medium category under the title, Court of the Mythical Fire Opal. Gabriel has long upgraded to the large band category with over 200 masqueraders and since 1996, has dedicated her presentations to local themes.
The bandleader has been responsible for many firsts. Her band was the first children’s band to compete on Carnival Monday and in its very first year in 1994, won the Band of the Day title. Gabriel repeated the win up until 1998. When the adult bands complained, the National Band Carnival Association (NCBA) was forced to create a new rule in 1999 that stated for a children’s band to be judged in an adult competition there had to be two adults in costume to every child. “Joanna Humphrey used to design the band and Helen and John Humphrey encouraged me to go out on Carnival Monday. They said mas is dead on a Monday we should bring out a band. It worked well and eventually, years later, I started doing it on a Tuesday. This year we had our first alliance with Best Village and we came second in the medium category, I was thrilled,” she said. Gabriel’s band was also the first to have its own music truck. While the average kiddie’s band relies on DJs placed along the routes, Gabriel felt having her own music would allow her to keep the clean, family-type atmosphere her band is renowned for.
“Parents gravitate to the band because of the rules and regulations in place, no alcohol, playing of clean music. It’s a challenge to keep the music clean, we usually have to take tunes from other years,” she said. It’s those factors as well as her passion for Carnival that Gabriel believes contributes to her success. “I never really thought about the band or the mas as a business. I would start a costume from scratch and do it over if it’s not to my liking. Because of my reputation for good costuming I would not put something on the road I am not happy with,” she explained. “The theme is important to me, it must be nation-building and educational. Now that we have emerged in adult mas I am looking for a theme that has a deep meaning and costume of the standard I do for the children,” said Gabriel who is already in planning mode for 2011. Bringing out a band is not without its challenges and Gabriel believes the challenges have increased in recent years. “In the last three years, the skilled labour is really hard to come by. Before there were a wealth of people coming to your doorsteps asking for employment but those days are gone and the few people you do get you have to hold on to,” she said.
As a person who came out of an era when costumes were made from scratch, Gabriel is also critical of the new trend of importing costumes. “I think it is causing the artisans we do have to not do what they did before. It will hamper the creativity and it causes everything to look the same. I do not believe there is a care for the culture by some bands I like to call moving parties. They aren’t selling costumes to enhance our culture, they sell a partying experience, they don’t have a thought to help the culture along the way,” she said. Since advocates for bikini mas like to justify their arguments with comparisons to Brazil, Gabriel said people need to look behind the floats where half-naked samba queens ride. “Look behind the float, you would see real costumes with creativity. We have taken the skimpiest of Brazil, which is the minority there and made it the majority here. In adult mas, the party bands have reached; I don’t think we can’t get any worse with lack of identity. You cannot tell the difference between those bands and to my horror I learned there is a company in Miami making headpieces,” she said, stating that in other islands there is a mandate that a certain percentage of the costumes be made in those countries.
Gabriel is also critical of the congestion experienced on the street on Carnival Tuesday. Like Brian MacFarlane, her band waited five-hours before reaching the Savannah stage and she blames bands that went off-route to cut in front of other bands. “We go through the same problem year after year. I think we need a lot of help and a lot of planning,” she said. Still, despite the problems, Gabriel is an optimist who believes Carnival can never die. “I am the supreme optimist and I do not believe, they may try, but nobody can kill our Carnival. It won’t happen.”

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Wednesday, February 17, 2010

Rio de Janeiro Carnival 2010: some great pictures...

RIO DE JANEIRO (AP) -- The extravagant samba parades began in Rio on Sunday night as the city celebrated Carnival. Tourism officials said almost 730,000 visitors arrived in Rio this year for the big party -- a 5 percent increase over last year. It's the first Carnival since Rio was named as host to the 2016 Olympics, and officials have been working hard to show that the city, known for the drug-gang violence that pervades its slums, can safely host major events.
A member of Beija Flor samba school performs on a float during carnival celebrations at the Sambadrome in Rio de Janeiro, early Monday, Feb.15. An estimated 700,000 foreign tourists are in town to take part, many of them fleeing snowy winter conditions in Europe and the United States. AP / Martin Mejia

Dancers of Portela samba school perform on a float during carnival celebrations at the Sambadrome in Rio de Janeiro, early Tuesday, Feb. 16. AP / Martin Mejia

Members of Mangueira samba school parade on a float during carnival celebrations at the Sambadrome in Rio de Janeiro, early Tuesday, Feb. 16. AP / Felipe Dana

Members of Vila Isabel samba school parade during carnival celebrations at the Sambadrome in Rio de Janeiro, early Tuesday, Feb. 16. AP / Martin Mejia

Thatiana Pagung, queen of the drums' section of Mocidade samba school, dances during the carnival parade at the Sambadrome, in Rio de Janeiro, Monday, Feb. 15. AP / Silvia Izquierdo

Members of Mangueira samba school perform during carnival celebrations at the Sambadrome in Rio de Janeiro, early Tuesday, Feb. 16. AP / Silvia Izquierdo

Members of Mangueira samba school parade during carnival celebrations at the Sambadrome in Rio de Janeiro, early Tuesday, Feb. 16. AP / Martin Mejia

Revellerx of the samba school Portela perform during the second night of Rio's famed Carnival, at the Sambodrome in Rio de Janeiro, Brazil, on Feb. 16. AFP / Getty Images / Vanderlei Almeida

A reveller of the samba school Portela performs during the second night of Rio's famed Carnival, at the Sambodrome in Rio de Janeiro, Brazil, on Feb. 16. AFP / Getty Images / Vanderlei Almeida

A reveller of the Beija Flor samba school performs at the Sambodrome during the first night of Rio de Janeiro's famed carnival parades on Feb. 15. AFP / Getty Images / Vanderlei Almeida

Members of the Uniao da Ilha do Governador samba school perform atop a float at the Sambodrome, during the first night of Rio de Janeiro's famed carnival parades, in Brazil on Feb. 14. AFP / Getty Images / Vanderlei Almeida

A reveller of the Beija Flor samba school performs at the Sambodrome during the first night of Rio de Janeiro's famed carnival parades on Feb. 15. AFP / Getty Images / Vanderlei Almeida

A reveler performs during the traditional carnival of Barranquilla, Colombia, Sunday, Feb. 14. AP / Christian Escobar Mora


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