Showing posts with label Trinidad Carnival 2014. Show all posts
Showing posts with label Trinidad Carnival 2014. Show all posts

Monday, March 03, 2014

Roderick “Chucky” Gordon Calypso Monarch of Trinidad and Tobago 2014

  1. Roderick “Chucky” Gordon - Wey Yuh Think/Wedding Of De Century
  2. Kurt Allen - Sweet Sizzling Summer/The Lost Psalm Of King David
  3. Selvon “Mistah Shak” Noel - Bois/Crime Round De Clock
  4. Hollis “Chalkdust” Liverpool - Ah Miss De Bards/De Guest List
  5. Brian London - The Heart Of A Warrior/Call Dem Out
  6. Victoria “Queen Victoria” Cooper - Political Love Affair/Congo Warrior
  7. Alana Sinnette - Sea Lots/And Calling It Rain
  8. Weston “Cro Cro” Rawlins - Pious, Poor But Proud/Goodness Delayed
  9. Carlos “Skatie” James - Calypso Woman/Jack And Jill
  10. Myron “The Incredible Myron B” Bruce - One More Sip/First Black Prime Minister
  11. Eric “Pink Panther” Taylor - De Richest Man/Not Tonight
  12. Roger “Bodyguard” Mohammed - Aloes Vendor/False Papers  

Sunday, March 02, 2014

Official Results Panorama 2014

Large Bands
1: Petrotrin Phase II  - 287
2: Neal and Massy Trinidad All Stars - 286
3: BP Renegades - 283
4: WITCO Desperadoes - 281
5: Republic Bank Exodus - 279
6: Silver Stars - 274
7: Tie between Skiffle and CAL Invaders - 271
9: NLCB Fonclaire - 267
10: Tie between NGC La Brea Nightingales and T&TEC Tropical Angel Harps - 262

Medium Bands
1: Pan Elders - 284
2: NLCB Buccooneers - 281
3: Courts Sound Specialists - 277
4: Petrotrin Katzenjammers - 276
5: Tie between Arima Angel Harps, NGC Couva Joylanders and Valley Harps - 272
8: Melodians - 271
9: Tie between Carib Dixieland and NGC Steel Xplosion - 266

Source: NCC 

Saturday, March 01, 2014

Official Results of the International Soca Monarch Finals 2014

Groovy Soca Monarch
1. Kerwin Du Bois - "Too Real"
2. Machel Montano - "Happiest Man Alive"
3. Darryl "Farmer Nappy" Henry - "Big People Party"  
4. Destra Garcia - "First Time"


Power Soca Monarch
1. Machel Montano - :Ministry Of The Road"
2. Hollice "Mr Kill@" Mapp - "Rolly Polly"
2. Neil Iwer George - "Mama Oye"
2. Destra Garcia - "Mash Up"


Carib Breakout artiste of the Year is Hollice "Mr Kill@" Mapp


2014 Extempo Calypso Monarch Results

Social Commentary
1. Kurt Allen—Sweet Sizzling Summer
2. Heather McIntosh —Nutten Eh Good
3. Leslie Ann Ellis—Blessed With Beauty
Political Commentary
1. Mistah Shak—Bois
2. Bunny B—Milk
3. Brian London—Call Dem Out
Extempo
1. Brian London
2. Black Sage
3. Contender  
Source: NCC

Wednesday, February 05, 2014

Carnival Tabanca: BUNJI GARLIN

Every now and then something happens within an art form that changes what it is for ever, I believe this is one of those moments for Soca, enjoy.

CARNIVAL TABANCA - Bunji Garlin from Beach House Entertainment on Vimeo.
Carnival Tabanca
Videomentary by: Bunji Garlin
Directed by: Walt Lovelace & Curtis Popplewell
Produced by: Beach House Entertainment
Filmed with 14 cameras Friday afternoon, downtown Port of Spain, Trinidad & Tobago.

Camera Operators:
Christian Compton
Colin Peters
Declan LeeLoo
Gabriel Nagee
Jamal Edwards
Jason Riley
Jermald Compton
Jerome Ali-Salandy
Kerry Gibbons
Michael Amoroso
Richard Voisin
Shea Best
Zahra Gibbons

Special thanks to:
Marc Loregnard
Kharim Matthias
Kenneth Bailey
Enrique Ali
Lance Smith
Diyanand Persaud
Darren Millien
Paul Charles
Faye Ann Lyons Alvarez
Dexter Thomas
Keron "Sheriff" Thompson
The Mayor of Port of Spain
The City of Port Of Spain
Port of Spain City Police
Brain Lara Promenade Management Co.
Rent-A-Amp
Advance Dynamics Ltd.
Trinidad Movie Equipment Rental Company Ltd.

Wednesday, January 29, 2014

Awash in ‘River of Life’

 In an unprecedented act of generosity, Carnival mas band Image Nation is giving away its costumes for the 2014 Trinidad Carnival, with its presentation of River Of Life. 
In conjunction with Adrenaline City and Patrick Roberts Gallery, River Of Life continues artist and designer Patrick Roberts’ River Of Life and Hope series where the river is used as an allegory in the creation of a year of art that includes over 100 pastel paintings on rivers in Trinidad and Tobago.

Roberts believes there is much to be learnt by studying the cyclical nature of rivers especially when one parallels it to the human life sequence, where we are born pure, are young and energetic, get older and supposedly wiser, can become corrupted or polluted and purge ourselves before reaching our destination of the glory of our sea which can be end or beginning depending on the point of view.

The moving canvas of 500 beautiful bodies in the River Of Life adult Carnival mas band is another vista for the theme. 
Brilliant Trinidadian artist, musician, teacher, intellectual and visionary, the late Pat Bishop said it best when she said that ‘until all have crossed over …the river… none of us have crossed… and some we have to carry’
For us, the river has always been a symbol of life and hope, of love and gathering, of solace and shelter, of strength and power, of calm and confidence, of individuality and commonality, of worship and glory, of trials and tribulations, of beauty and magnificence, of struggle and sacrifice, of power and corruption, of cleansing and rebirth, of peace and patience, of diligence and success, of ritual and rebellion and of joy and celebration.

The free Image Nation/Adrenaline/Patrick Roberts Gallery costume is avante-garde, classy, dressy, showoffish, jametteish and churchy and is based on the traditional Trinidad Carnival costume, the “Madam Martniquan”, which came to Trinidad when the French from northern Caribbean used the conditions of the 1783 Cedula of Population to migrate to Trinidad and impact on Trinidad’s Carnival. The “Madam Matrniquan” costume influenced what has become commonly known as the washerwomen’s often seen at the river.

Whilst the costume is free, masqueraders pay $1,250 for the all-inclusive side of the package – premium drinks, food, music and security.

A separate Carnival Monday costume is also included at no further cost. 
Masqueraders can register with Solange at Tequila Twist on the Avenue in Port of Spain 7 to 9 p.m. daily, with Jihan at fashion Is at #3 Mathura Street, St. James, noon to 5 p.m. Tuesday to Saturday, Monday to Saturday and with Aunty B at 8 Melville Lane, Port of Spain, 1 to 5 p.m. Monday to Saturday.
The look book of the River Of Life costumes can be had by e-mailing patrickrobertsgallery@gmail.com requesting either a soft or hard copy, which is also free.

SOURCE:Trinidad  Express

Friday, January 24, 2014

Let the mas begin

Against the backdrop of the turmoil surrounding the official Parade of the Bands route in Port-of-Spain is the news that Carnival 2014 could very well have a dozen new masquerade bands on the already congested route. Joining newcomers like K2K Alliance and Paparazzi Mas are Petle Mas, Carnival Passion, Flirt and Passion.
A man with loads of experience as a show promoter, Glenroy Watson has turned mas bandleader. Also the owner of Outside Woman Restaurant, Watson’s band Flirt is located at 4 Phillip Street and will present La Isla de Calor for Carnival 2014. The band comprises nine sections, designed by Roger Hicks and Gilda Lewis. The theme of the mas is inspired by “an island of heat” and designs include sections exotically named like Exotico, Provocado, Embramar, Ardiente, Caliente, Encantador and Picante.
Asked why he made the switch to mas, Watson said: “Over the years, I find that not much is given to masqueraders. I feel bandleaders can do more for the people who spend their hard-earned money to play mas. I am offering something new and something novel. First off, the entertainment in my band is going to be off the chain. We have entertainers from Jamaica and top local soca stars performing all day Monday and Tuesday, as well as a retro truck by King Papa Rocky and Starchild, plus old-school calypso and soca artistes.”
New mas band Carnival Passion successfully launched its presentation, Tabanca, at the band’s camp, at 89 Tragarete Road, Woodbrook, a fortnight ago. Bandleader Gerard Weekes, a past King of Carnival, is confident that his band’s debut on the streets of Port-of-Spain will be a success. He said the band’s production team is served by a wealth of experience, by craftspeople who have previously worked and played with “the best in the business,” including Peter Minshall, Brian Mac Farlane, Barbarossa and Poison.
Weekes is an experienced masquerader having portrayed characters with Minshall presentations in 1987 and ’88. In the ’90s he also performed as a character for David Rudder’s performances. Last year, portraying Ai Tu No Yorokobi, Joy of Peace in Japanese, from Mac Farlane’s presentation of Joy, Weekes reached the pinnacle of his mas career by winning the King of Carnival title.
In terms of leading a band Weekes has some experience as, from 1986, he produced the Carnival Monday night band Night Rivals. Asked why he decided to step up from being a masquerader to being a full-fledged bandleader, Weekes said: “Our celebrated designer, Brian Mac Farlane won’t be a part of Carnival. The loyal masqueraders who have been part of the Mac Farlane family are now in search of a home and leader. In so doing we’ve become nomads, finding ourselves wandering through the streets of Port-of-Spain. We all have a passion for mas and Carnival, as well as a tabanca, thus the name of the organisation and the band.”
Tabanca will have nine sections, namely Passion Dreamer, Desert Queen, Nomads, Gypsies, Persian Wanderers, African Wanderers, Pierrots, Warriors and Warrior Princesses.
Registration for Tabanca began on January 6, and Weekes said the response has been overwhelming, “especially from foreigners.”
Another new mas band is Passion, based at 12 O’Connor Street, Woodbrook.

The band will hit the streets with Passion, expected to have 800 masqueraders. Band spokesperson Sheena Tang Nian revealed: “Passion is the brainchild of four friends—Mark Paguandas, Shival Maharaj, Christian Nath, Anthony Harrysingh. They are service providers so they have experience in Carnival and mas from the other end of the spectrum.”
The band will comprise seven sections, some of them being L’Spirit, Lust, Love, Vanity, Pride and Carpe Diem.
Veteran mother and daughter designers
Sonia and Nathania Mack did L’Spirit for Passion.
The main designers have worked with almost all of the large mas bands in Port-of-Spain in the past.
“We all have passion; passion for mas, passion for life, thus the name of the band,” said Tang Nian.
Passion’s music on the road will be by Lalo Sound System, served by two well-known DJs, Chucks and Jerome.
Designers and their sections for Passion are L’Spirit, Sonia and Nathania Mack; Love, Rawle Permanand; Lust and Pride, Richard and Anthony Hall; Zeal, Stephanie Ramlogan. Tang Nian said Passion will not produce participants in this year’s King and Queen of Carnival competitions but will definitely be competing in the Band of the Year competition.
Safari is the title of Masquerade debutante Petle Mas, which is led by Petle Claverie, a former section leader of Poison and Dream Team. Its mas camp is based at 15 Warner Street, Newtown.
Popular St James J’Ouvert mas band Cheers is launching its second edition all-inclusive J’Ouvert band on January 31, at 7 pm, at Cheers Pub, corner of Mooneram and Quamina Streets. The band’s organising committee comprises members of Cheers Pub and Unity Tassa, consisting of close friends and associates. Theirs is called This Party Is It.
Yasmin Boland, a band official, explained: “We are doing a party twist that spins off of the past year and the series of THA Elections, Chaguanas West and St Joseph by-elections and the local government elections. Last year our committee was very successful in providing our membership with a safe fun-filled party experience for our initial presentation—Section Unity 34.
Boland, who runs Cheers with her husband Steve, added: “Our objective is to continue providing all of our registered members with a safe and enjoyable J’Ouvert experience. This year, we estimate a band membership of 400 revellers. It is our intent to offer a body paint party on the road and a popular DJ, liquor, chasers, bottled water and ice will be provided on route to all registered members. We hit the road at the start of J’Ouvert at 4 am. Breakfast will be served on the parade route.
Cheers and Unity Tassa have hosted several social events of which part of the proceeds are donated to several charity groups and NGOs. For Christmas the organisation staged a successful Christmas parang lime.
Registration is at Cheers Pub, and music on the road will be by Unity Tassa Group and Element One Sounds.
Renowned for ruling the roost in children’s mas, Rosalind Gabriel and Village Productions is celebrating its 21st anniversary as a producer of adult mas. This year, the band is presenting Festival of Colours, designed by Follette Eustace. Music will be by Michael Tilokee of Studio 9, the same road music Gabriel has used for over ten years. Based at 26 O’Connor Street, Woodbrook, sections of Festival of Colours include The Colour of Steel, Wild Hibiscus Bloom, Masquerade, National Pride, Buccoo Blue and Rainbow Country.
Speaking to Pulse this week, Gabriel said: “Festival of Colours draws off the theme of our Junior Band, Colour My Culture, also designed by Eustace, to compliment and enhance the “on-the-road” presentation for 2014. Norvan Fullerton and groups from the Prime Minister’s Best Village bring to our adult band the same deep love that he has fostered over the years, intent on knitting villages and communities through arts, culture and friendly competition.
“This is a group of parents of children who play with their children on the road, friends and family of the Better Village communities, and we have always welcomed members of the public, local and overseas, who want to play mas with joy and dignity.”
Gabriel continued: “Both our bands have grown organically over the years. Well designed, well constructed costumes, used many times by our children to showcase our culture. We get stories of children taking costumes abroad and using them in ‘show and tell’ and costume competitions and walking away with prizes. We welcome anyone to join us who shares our ideals.”
Touching on children’s mas, the Diego Martin Carnival Committee (DMCC), under the chairmanship of former National Carnival Commission commissioner Donald Little, will be staging its annual children’s Parade of Bands on Sunday, February 16, from noon to 6 pm, at Tru Valu car-park in Diamond Vale, Diego Martin.
Schools in Diego Martin and its environs are being invited to participate. Said DMCC organising committee member Christine Martineau: “This activity is one aspect of several endeavours which we embark upon during the Carnival period/season to revive and encourage community spirit within Diego Martin and its environs.
“Due to the low turn-out in previous years, our main objective this year is to inject and resuscitate community spirit and participation in Diego Martin/Diamond Vale and environs. The bands will assemble at Bagatelle and parade through the Diego Martin Main Road turning left on to Wendy Fitzwilliam Boulevard to Tru Valu car-park where they will be judged. We have a music truck on the road.
“We cover the whole spectrum of mas, from low end to high end. Inclusivity is paramount. The categories range from ole mas, traditional mas, and costumed mini, small, medium, large bands.”

For information: Stella Richards-Alleyne (497-0067) or Herbert Tyson (632-a3080/797-6747).

SOURCE: Trinidad Guardian

‘Olympians’ set to defend

Like the chords of a well-tuned instrument, diverse yet all working together to create one harmonious sound, Aaron Kalicharan and his family are highly confident that their 2014 presentation, Beats has a shot of winning Band of the Year yet again.

They will be defending their title since last year’s presentation, Rise of the Olympians’ which showcased Greek mythology, cleverly held off all challengers in San Fernando.
They have won the title 19 times in South and have had the privilege to represent Trinidad and Tobago around the world. Performing for the presidents of India and Zambia, the Fifth Summit of the


Zulu Black, another section from
Kalicharan’s 2014 presentation.
Americas and the Commonwealth Heads of Government Meeting to name a few, Kalicharan has also had the distinct honour to outfit many Miss Trinidad and Tobago queens with Carnival costumes for the Miss Universe and Miss World pageants.

This year’s presentation, Beats is comprised of eight sections which are as follows: Pink Samba, Neon Techno, Purple Jazz, Red Arabian, Zulu Black, Yellow Chutney, Teal Soca and Brown Lakota.
He said, “We always wanted to do something relating to music; however we did it with a twist. In that we wanted to depict the look and feel of the different beats associated with different types of music.”

Two of the sections offer the all-inclusive experience Lakota and Soca costing $2,600 for the female costume and $2,300 for the male. Overall, prices range from $1,350 to $1,600 for regular sections.
Kalicharan is the son of mas veterans Ivan and Wendy Kalicharan. The family has been doing mas presentations since 1983 and has had a consecutive winning streak since 2007. Finding a rhythm and groove that has given them the momentum and edge over some of their competitors, the family band remains one of the leading mas bands in San Fernando.
He said, “Our band is different firstly because it’s a family unit. Long standing for the last 35 years; we have a family atmosphere in our band. The togetherness we have our masqueraders feel as though they are a part of the Kalicharan family.”
He said, “Our vision for the next three years is to continue being a leader in the South Carnival as well as allowing our masqueraders to be a part of the joy and excitement associated with Trinidad Carnival.”

Kalicharan won the Carnival King title in San Fernando in 2000 with his presentation “Triumph & Glory” and in 2009 with his presentation “Spirit of The Ocean” which were both designed by Follette Eustace. In 2003 both Kalicharan and his mother won the King and Queen of the Bands respectively in San Fernando both costumes again designed by Eustace. They created history that year by being the first mother and son to take the title at the same time.
The band’s tag line and vision for 2014 is “The beats of music; the rhythm of a people; bringing a nation together”.

Currently Teal Soca, one of their all-inclusive sections is sold out and as the excitement of the Carnival season builds, the family expects even more sections to quickly fill up.


By Kimoy Leon Sing

Bringing the Passion back to mas

“Nomads with a passion”: Band leader Gerard Weekes,
 right, with a model and costumes from his 2014 Carnival presentation,
Tabanca. From left, the sections Nomad and Persian Wanderer. —
Photos: CURTIS CHASE
Reigning King of Carnival Gerard Weekes is the man behind the newest mas band for Carnival.
Weekes launched Mas Passion on Wednesday afternoon to members of the media and close friends at the band’s headquarters, 89 Tragarete Road, Port of Spain.
Weekes said the band came about because he was literally “hounded” by people who were associated with acclaimed mas design­er Brian Mac Farlane.
 
“Because Brian is not bringing a band this year, loyal masqueraders, staff members and fans kept calling me, asking what we doing,” Weekes said.
Weekes continued, “There was a void and I felt to keep the thing alive, I should bring a band. And because all the people who were calling had no place to go, I got the feeling that we were like nomads, with a passion for mas.
 
“That is how Mas Passion came about and because of the serious taban­ca for mas, the debut presentation is called Tabanca.”
Weekes is still shocked at the over­whel­ming response he has received from people and is overjoyed. Because of the late start, he feels he will go on the streets with a medium band.
Weekes truly has a tabanca as he says he will not produce a king of the band and give up his title as King of Carnival without defending.
 
“This is a baby step and I did it all by myself; I want people to go on the road and enjoy themselves in a band with a difference,” he said.
Tabanca is made up of ten sections, which came out of a concept Weekes had and took to another mas great, Stephen Derek. Derek designed the costumes and put them on paper for Weekes.
 
“I must say a heartfelt thank you to Stephen; he understood my idea and brought it to life,” Weekes said.
The sections include Passion Dream­­er, Desert Queen, Nomad, Persian Wanderer, Gypsy, Warrior, Warrior Princess, African Wanderer and Pierrot.


By Gary Cardinez

A century of vocal calypso recording

By Deborah John Publications Editor News/Features
 
Tomorrow, at Jaffa restaurant, Queen’s Park Oval, the Trinbago Unified Calypsonians’ Organisation (TUCO) will celebrate “100 Years of Vocal Calypso Recordings. TUCO is also celebrating 100 years since the first recording of East Indian music, the work of early musical pioneers SM Akberali and Gellum Hossein which took place at the same time in Trinidad.
 
According to information provided by Ronnie Joseph, PRO at the Carnival Institute:
In 1914 technicians from the Victor recording company visited Trinidad and were given the mandate to record a complete repertoire of Trinidad’s local music including calypsoes. Two of those who were recorded were Jules Sims a stick fighter who was recorded live doing a Kalenda song. He was one of the first to be recorded live. There was also Julian Whiterose who was a chantwel. He was one of the first chantwels whose work was recorded and the first vocalist to be recorded. In recognition of the anniversary of these milestones in our recording industry the Institute will again be partnering with TUCO to facilitate workshops, lectures and an exhibition.
 
According to John Cowley in his Carnival, Canboulay and Calypso — Traditions in the Making, the chantwel Julian Whiterose, was really Henry Julian who sang as Iron Duke and Julian White Rose. Julian was the leader of the White Rose masquerade band. A feature of the Carnival bands of the early 20th century was that they had their own chantwels and they composed their own songs. According to Cowley’s research, Henry Julian was regularly written about in the local newspapers from as early as 1900.
 
The Mirror newspaper had gone to listen to the band White Rose practise and reported “judging by the manner in which they are trained and conducted by their leader Mr Henry Julian, one should predict for them great success.” He was also described as “a singer of the most intellectual songs”.
So it was no surprise that in 1914, the Victor Talking Machine Company sent Theodore Terry to organise sessions in Trinidad. He was followed by the engineers for the company, George K Cheney and Charles Althouse who followed up on the arrangements made by Terry with several performers, among them Henry Julian.
The Port of Spain Gazette on August 28, 1914 described this as a ‘special trip to Trinidad for the purpose of recording a complete repertoire of Trinidadian music, including the Pasillos Spanish Waltz, and Two Steps by well known bands, also Carnival and patois songs and East Indian selections by local talent.’ Cowley tells us that The Mirror also reported ‘we understand that Mr Henry Julian, formerly of White Rose’ has been practising assiduously for the above purpose and that several other bands and performers have been engaged.’ Cowley further tells us that “Victor’s principal artist was the pianist and well-known string band leader, Lionel Belasco, Henry Julian (Iron Duke/Julian White Rose) who recorded under the sobriquet J Resigna. The other participants were were Jules Sims whose kalendas were sung in French Creole, S M Akberali and Gellum Hossein of East Indian ancestry, and the Orquestra de Venezolana de Chargo probably made up of Trinidad Creoles and some of Venezuelan origin.”
 
From Cowley’s research it is clear Henry Julian’s contribution to these early recordings is prolific. Many of the titles have not survived because the Victor Company’s engineers did not take down titles of these early vocal performances. Cowley states that “only descriptions of the kinds of music were printed on record labels or in company catalogues. There were was described as “Single Tone Calipsos (sic)” performed by J Resigna, one of Julian’s sobriquets. One “Double Tone Calipso” by J Resigna is also catalogued. The “Single Tone Calipsos” by J Resigna are listed as “Belle Marie Coolie” (Beautiful Marie, the East Indian), “Hooray Jubal Jay”, “Iron Duke In The Land” and “Ringing A Bell”. The double tone was named “Bayonet Charge By The Laws of Iron Duke”. Cowley also tells us that “Iron Duke In The Land” was a song in which Julian listed some of the positions he held in the White Rose band, before he became the leader with the title Lord of Resigna, the Iron Duke. Cowley also tells us that Belle Marie Coolie concerned “black-East Indian male-female relations” which of course we know today as douglarisation. These early recordings were already paying attention to the diversity of T&T. When the first batch of these recordings arrived in Trinidad in 1915, the public was ready for them. The quality of Belasco’s work was praised as was the work of Henry Julian, The Mirror of February 8, 1915 noted.
 
“A novelty in creole music is afforded in calypsos (sic) after the rendering of ‘Julian
White Rose’, the celebrated chantrel (sic), whose voice has lost none of its sweetness. His compositions on “Belle Marie Coolie”, “Carupano Rum”, etc, are good, while the Bamboo Band ‘Kalendar” is a new feature which will appeal to lovers of originality.”...the article in The Mirror noted that a large supply of records was “expected soon.”
 
Five days later, The Mirror of February 13, 1915 published the press notice from the Victor recording company of the official release of the records. Three of these were of SM Akberali chanting verses from the Koran, and it noted...”the popular singers Jules Sims and J Resigna contribute with some typical melodies of Trinidad which are sure to please all people who are fond of this class of music. An important addition to the collection is a small number of sacred Mohammedan chants by the eminent artist SM Akberali.”
Thanks to the work of Cowley and so many others who have taken the time to research and document the activity of the early days of T&T’s musical history, we can appreciate rich legacy from those early days and we salute those early pioneers.
 

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