I have to say I like this one!!
Showing posts with label .Trinidad Carnival 2011.. Show all posts
Showing posts with label .Trinidad Carnival 2011.. Show all posts
Wednesday, February 23, 2011
Thursday, February 17, 2011
Fay Ann coming hard on Fantastic Friday
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| Fay Ann Lyons-Alvarez |
Lyrically, she is ready for Fantastic Friday. Physically, she is prepared and judging by the look of last Sunday’s semifinal round performance, the woman who in 2009 walked away with both the Groovy and Power Monarchs, is more than ready for the on-stage rivalry. The T&T Guardian caught up with Fay Ann Lyons-Alvarez last evening. In a brief chat, she said the vibe in her camp as the days drew closer was good.
“I am confident of my song and my chances,” she said. “We’ve been in this for some years and we have a more than in depth idea of what the competition is like.” For the soca empress, whose father Austin “Super Blue” Lyons had for years, ruled the Carnival circuit, the Soca Monarch competition means that lyrics and melody must be second to none. “Plenty times you find artistes don’t focus a lot on lyrics and melody and they won’t get the crowd’s response,” she said.
“Another artiste, on the other hand, may have a popular song but they won’t get the crowd response because their music lacks these elements.” On the issue of what’s seemingly an on-stage bit of rivalry between Machel Montano and Destra Garcia who’ve both been chosen to enter this year’s competition, Fay Ann said such is always the case. “The rivalry exists all the time,” she said. “It exists among the women in the industry...this one find she should be number one and so on.”
The Consider It Done hit-maker, however, says the only difference this time around is the fact that Destra brought the issues into the realm of her fans and supporters of the competition. “I compete with Bunji all the time, but it’s not that you compete, it’s how you deal with the rivalry,” she said. Indicating that she herself was sometimes dubbed aggressive, Lyons-Alvarez argued that one could be aggressive and right, and aggressive with some level of class. She says the problem escalates when disrespectful language and attitudes are meted out in the public domain.
All in all, Fay Ann Lyons-Alvarez is ready for whatever showdown may present itself on March 4.
“My aim is to survive this Carnival with my sanity because there’s been a lot of nonsense going on publicly and professionally,” she hinted. She, however, says like each year, she focuses on making music that can take her well into another Carnival, regardless of whether she wins the competitions or not. In the meantime, as the heat of Fantastic Friday’s Soca In The City theme penetrates the land, fans, supporters and even ill-speakers can rest assured that Fay Ann Lyons is coming hard on competition night.
Wednesday, February 16, 2011
Overtime Interview: Brian Mac Farlane.
Overtime TT has provided us with an inside view of Brian Mac Farlanes mas camp as they produce the 2011 presentation ‘ Humanity the cycle of life.’ With one interview into this mas camp the arguments of culture killers such as Luis Hart and Dean Akin who attempt to convince Trinidadians that they are not good enough to produce top quality mas HAS BEEN SHATTERD.
I guess no one told the folks at the 5 time band of the year award winning camp they did not have what it takes ...pay attention to the video the people at Mac Farlane’s camp are making use of materials such as newspaper, cane, bristalboard, and bottle caps, and you can bet another band of the year title is in sight, and yes, it’s just as the man said Mas is an art form, and there are levels of science applied to it. And all will agree this is mas at its highest level, this is High Mas!
Sunday, February 13, 2011
OVERTIMETT Interviews Stephen Derek.
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| Stephen Derek |
Stephen Derek born in 1952 is the absolute mas man he designs and constructs his works and is without a doubt a cultural ambassador for Trinidad and Tobago as he has taken mas and the art form of mas around the world. In this interview Derek not only talks of his band and his contribution to mas over the years, but he also criticises the current crop of “band leaders” and bikini bands that he calls “two piece and fries “, he also
mentions some critical truths about those that market the festival to shores outside Trinidad.
Once again, kudos must be given to Overtimett.com for providing a fantastic interview with a living legend of the carnival art form mas.
Carnival Snippets
The Trinidad Express have added a carnival page on their website providing photos and video clips of the fetes, pan yards, and calypso tents etc around Trinidad and Tobago, so here are a couple of snippets of the fetes and performances that have already gone.
Feel that carnival spirit rising people, it’s almost time...
Monday, January 31, 2011
Tuesday, January 18, 2011
3 CANAL : JAM-IT!
I love this JAM-IT tune by 3 canal this year, it’s for me its a tribute to one of the most iconic characters and symbols of social and cultural resistance the ‘Jamette’.
The word ‘Jamette’ comes from the French word ‘diametre’ and referred to the class of people ‘below the diameter of respectability’ ...the upper classes were distancing themselves from the lower classes...to emphasize the immorality...and hence the inferiority of the Africans. ( Liverpool Hollis)
During the 19th century Africans had to exist in deplorable living conditions. These conditions were witnessed in their most extreme form in the barrack yards of the capital. Due to these conditions the barrack yards were the epicentres for crime, prostitution, and other forms of lawlessness. The barrack yards being the homes of Trinidad’s Afro-Trinidadian lower classes were also the bastions of African cultural resistance and identity.
Out of theses barrack yards came some of the most iconic characters and symbols of defiance that Trinidad’s carnival has ever produced. As the century came to an end these characters, and ritual practitioners would directly confront the laws and institutions of the establishment that seemed to exist solely to erase their cultural identity.
From the poverty ridden, crime infested environments of the barrack yards the Jamette emerged. If the stick fighter was the warrior King of the Kalenda, and the Cannes Brulees procession, and the male personification of African defiance, the ‘Jamette’ was the Queen, her very physical presence was the personification of colonial defiance.
...the social, economic, and political predicament of the jametres was manifest, both physically and vocally...While masquerading, they ‘boasted their skill and bravery, verbal wit, talent in song and dance...their indifference to the law, their sexual prowess...The women more often than not were the chantuelles, who sang praises of male stick fighters, and impromptu lyrics meant to shock and entertain; they wore masks and sometimes exposed their breasts. (Noel A. Samantha)
In an era where a woman based on European standards was not supposed to be loud, vulgar, political, or display any kind immoral behaviour in public the Jamette went against all these social norms of decency making her physical body a platform of protest, bringing the economic and social conditions of the lower classes to the attention of the establishment.
“...these women were aware of how the body could be used as a form of protest...they cunningly gauged the potential of their exposed bodies as a locus of rebellious and expressive energy through which their discontent with colonial order could be channelled”. (Noel A. Samantha)
The Cannes Brulees riots (Rebellion) of 1881 saw a head to head clash between the police, representing the colonial powers who wanted to stop the traditions of the lower classes, and the Cannes Brulees, the latter being lead by the warrior Kings the stick fighters who fought shoulder to shoulder with their queens the Jamettes.
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| try this on any other day and see what happens. |
Today you see Jamette behaviour where ever you see a Trini style carnival she is the living symbol of cultural and social resistance and while the elite and the establishment may shun her presence it is because of her the road made to walk on carnival day.
Mas Assassin .
Related articles
- The world's top 10 street festivals (telegraph.co.uk)
- Lower-class people better at reading others: Study (canada.com)
- Rare piping guan rescued and recuperating in Trinidad (greenantilles.com)
- Dominica Carnival 2011 Schedule (dominica-weekly.com)
Sunday, January 16, 2011
Jacqui portrays elements of life
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| The Element of Water. Photos:Tony Howell |
The House of Jacqui children’s band presented its C2K11 offering, Elements of Life, on January 8 at the Skiffle Bunch Pan Theatre on Coffee Street in San Fernando. According to local fashion icon Jacqui Koon How: “Everything that affects life is an element and the concept for the band came from my grandson Joshua Regrello. “There are the regular elements such as earth and water. We went a step further and added love and tradition which is an important element because we need to understand where we came from before we can move forward.”
Koon How added that this was the 17th year since the band was formed, and what made it unique was that it had entered competitions throughout the country—San Fernando; Marabella; Gasparillo; Barrackpore; Couva; Claxton Bay; Arouca and Port-of-Spain. “In light of the present economy the costumes are priced at less that $600, which includes transport and refreshment,” she said. Elements of Life will also be displayed at the Village Plaza, Pleasantville on Saturday, and Gulf City Mall, La Romaine on January 22. Anyone interested in registering can visit the mas camp at 60 Irving Street, San Fernando or call 652-1965/ 752-1592.
Sections
Elements of the Sun (yellow)
Element of Love (pink)
Element of Water (blue)
Element of the Sea (blue and green)
Element of the Earth (brown)
Element of the Tradition (red)
Element of Love (pink)
Element of Water (blue)
Element of the Sea (blue and green)
Element of the Earth (brown)
Element of the Tradition (red)
Caption 1: The Element of the Sea .
Caption 2: The Element of Sun.
Caption 3: The Element of the Tradition on show from the House of Jacqui 2011 presentation.
Caption 4: The Element of Earth.
SOURCE: Catherine Copeland
Wednesday, January 12, 2011
RC mas’ band draws ‘overwhelming’ interest
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| Wayne Berkeley (photo from meppublishers) |
The band, which is sanctioned by the head of the local Roman Catholic Church, Archbishop Edward Gilbert, was launched on January 4, and will participate in the Parade of the Bands, on both Carnival Monday and Tuesday.
Speaking with Newsday yesterday, Walcott said the band’s official website, which was launched last week, received over 1,200 hits so far, and the band’s “page” on the social networking site, facebook, has also received a lot of visitors.
“We have been receiving a lot of calls from people in St Lucia, Grenada and Canada wanting to register with the band,” said Walcott.
He said the band is open to a registration of 1,200 members, “for greater manageability, but people are begging us to open up the registration.”
However, Walcott said all sections in the band are still open for anyone interested in registering.
He said costumes were priced between $1,000 and $2,500, and the band will be all-inclusive.
Since the announcement that veteran mas’ man, Wayne Berkeley will be designing the Queen of the Band’s costume, Walcott said “requests have been pouring in to portray the queen.”
Walcott revealed that Canadian, Susan Low, will portray the Queen of the Band: Eve, the eternal light of the Universe. However, someone is yet to be listed to portray the King of the Band, Adam, “as two persons have expressed great interest in the portrayal.”
Walcott admitted that the Word and Associates has received some “negativity” from various members of the public, over producing a Carnival band.
“Many people felt Carnival is evil, and are not pleased that the Church was getting involved in something which is evil. I ask those people, are the panmen, calypsonians and mas designers evil?” asked Walcott. “How can the creative gift, which we received from God be evil,” Walcott added.
When asked what genre of music will accompany the masqueraders, Walcott explained that the band is currently assessing calypsoes and soca music which has “good values” and no “double meanings.”
Walcott said anyone wishing to register with the band will be briefed on the proper “behaviour” expected, as well as no alcoholic drinks will be served.
“As Catholics we have no beef with alcohol, but we are not promoting alcohol in our band. We are coming on a natural high,” he said.
By RESHMA BAAL
Monday, January 10, 2011
Black Stalin: SKULLUGGERY COMING DOWN.
Six time Calypso Monarch Leroy Calliste ‘The Black Stalin’ went to the Skullduggery mas camp and composed this catchy song for the band . I loved the tune so much it inspired me to do this little clip.
The Costumes were designed by Sonya Sanchez-Arias
and original photography by Mark Lyndersay
Mas Assassin.
OR you can see their facebook account HERE
Sunday, January 02, 2011
Fay-Ann Lyons - Consider It Done (Soca 2011)
Monday, December 13, 2010
Taking back Carnival for 'ordinary' people
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Minister Winston Peters |
CARNIVAL is being taken away from the ordinary man and Minster of Arts and Multiculturalism Winston Peters wants to reverse this.
Peters was speaking yesterday during a press conference prior to a tour of the construction of the Grand Stand at the Queen's Park Savannah, Port of Spain.
Peters said the availability of the "ordinary man" like himself, to benefit from Carnival by selling items at the side of the road during the Parade of the Bands was being taken away and he would not allow it.
"These bands now advertising everything, drinks, premium drinks, premium toilets and leave out the other people from Carnival," Peters said, adding that the ordinary man could no longer "make a little money to mind his children" for a few weeks from what he sold during Carnival.
He said the North and Grand stands will be completed "way before Carnival".
Peters said Carnival must become a better product to promote the country and there were plans to make it bigger and better.
Peters said after Carnival next year, a competition will begin for local contractors to design a permanent structure to house Carnival.
He said the "Carnival Village" will be designed and built by locals and would be a tourist attraction with constant cultural activities taking place.
Next Carnival there will be the People's Band where anyone can join and as for security "the people are going to police themselves".
He added that the "unsanitary" "wee wee trucks" would be flushed out of Carnival 2011.
"I don't want it and we're not having it," Peters said.
As for the incorporation of steelband within mas Peters reiterated that Panorama had killed pan, and that steelbands should make themselves more viable.
Earlier in the day Derek Hamilton, project manager for the construction of the Grand Stand said the construction of the stand, which will house VIP and concession booths along with toilets for both general and VIP customers will be completed by the February 10 due date.
Though work has begun, a budget will not be ready for another two weeks for the construction, Peters said.
Hamilton added that the erection of the Grand Stand will begin on January 3, 2011 as "50 to 60 per cent" of the foundation work had already been done.
Wednesday, December 01, 2010
Spoilt Rotten ‘Nomads’ for Kiddies C2K11
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| Taureg “Blue Men of Africa. |
Spoilt Rotten Kids (Terry Ann Roach–designer, Christine Nunes–bandleader, and Liz Inniss) recently launched their 2011 junior Carnival production Nomads at then Morne Coco Road mas camp. Parents and children excitedly chose costumes from the five displayed sections: Bush Babies (boys/girls 2-3); Aborigines “Walkabout” (boys/girls 4-6), Vagabonds of Rajasthan (boys/girls 7-9), Roma Gypsy Fortune Teller (girls 10 plus) and Taureg Blue Men of Africa(boys 10 plus).
In 2010, the Kids celebrated their 10th anniversary of competing in either the small or medium category, portraying Colours of the Wind. Other outstanding past presentations were The Forbidden City in 2009; The Casbah 2008, and Viva Las Vegas 2007 for which designer Roach won the Mini Band Designer of the Year Trophy. In one of the best productions, Mardi Gras in 2004. the young masqueraders distributed colourful beads and coins along the route to spectators.
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| Roma “Gypsy Fortune Teller. |
The band’s kings and queens have also reached the junior king and queen final nights on many occasions, and appeared on the savannah stage with the NCC Kings and Queens semi-finalists. The band’s individuals have also done very well annually, in all competitions.
A reasonable band fee includes tee shirts for the masqueraders, refreshments at all competitions, with a special treat on Red Cross competition day and personal attention to every little detail by the organisers.
Registration is ongoing through calling Christine at 221-5735 and/or Liz at 622-5189 or 741-1769.
source
Friday, November 26, 2010
SURVIVORS LAUNCH IN TOKYO
This was the Grand Finale of Trinidad Carnival Tokyo, produced by Petra Laptiste. The first ever Band Launch for Ronnie & Caro The Mas Band in Japan. Ronnie McIntosh flew in from Trinidad & Tobago and warmed up the crowd with some of his best-known tunes. After that the models showed off the costumes from the SURVIVORS theme for Trinidad Carnival 2011.
Monday, November 15, 2010
Work on Carnival centre to begin next year
By early next year the People’s Partnership Government will start putting things in place for the construction of a permanent home for Carnival at the Queen’s Park Savannah, Arts & Multiculturalism Minister Winston “Gypsy” Peters said yesterday. Peters was responding to questions about the National Carnival Bandleaders Association’s (NCBA) cry for a permanent Carnival centre. NCBA president David Lopez, said masmen were happy to return to the big stage at the Savannah but disappointed they were going back to the same temporary arrangement. Peters said the structures which the Government were erecting at the Savannah for a Carnival “place” were only temporary. He added: “It’s not a permanent Carnival centre but there will be a Carnival centre.
“Early next year, please God, we will have a competition inviting architects to come up with a design for the Carnival centre. “The winning design will be used to construct a permanent home for Carnival.” The cost? “I have no cost at this minute,” Peters replied. “We’ll do the competition first and then work that out.” NCC chairman, Kenny de Silva, said they were trying to create a more attractive and appealing area for Carnival in the Savannah for 2011. He said they would be landscaping, putting down flower beds and planting trees in the Savannah. “We will be working with the Savannah Management Committee and the Agriculture Ministry to bring it back to the pristine appearance it had at one time.”
For the reconfiguration of the Carnival “place” he said they were not going to interfere with any more green. He added: “We will be embracing architects and engineers and we’re going back on the same footprints. We’re going back to the paved area where the North Stand stood and we’re removing a building at the top of Frederick Street in the Savannah to put the Grand Stand.” As for the cost, he said, the project had to go out for tender before they could determine the figures. But he gave an idea. “Up to 2006, it cost $1.3 million to put up and take down the North Stand and they made a profit of $6 milllion,” he said. When masmen were moved out of the Savannah in 2007, the then Government promised they would return in three years, Lopez said. He said: “We moved out into the street to support the Government’s plan to construct a multi-cultural arts centre. “We have no problem with the return of mas to the Savannah now. The problem is not having a permanent home for Carnival.
“They are going to put up and pull down the structures and we are going to have the same crowding problem. We’re not moving forward. “Wouldn’t it be better to fast track the Carnival centre?” Lopez asked. Interim president of the Trinbago Unified Calypsonians Organisation (Tuco), Brother Resistance (Lutalo Masimba), said Dimanche Gras was held at the Jean Pierre Complex for a “couple of years” after Carnival was moved out of the Savannah in 2007. “We went back last year but we understand there are plans to put up a much more improved structure that would increase seating capacity.” Resistance, a member of the NCC board, endorsed Lopez’s cry for a permanent home for the Carnival arts. He said: “Calypsonians would have a definite place at a Carnival arts centre. “We also want to establish a museum for calypso history which will benefit tourism and education.
More Info
National Carnival Entertainment Centre (NCEC)’s history:
* In September 2007, Culture Minister Joan Yuille-Williams said work for NCEC had not been formally brought to the market.
* She said demolition and dismantling of the underside of the Grand Stand, the office building and forecourt had been completed.
* She said in accordance with the rules of the contractor, the Urban Development Corporation of T&T, a contract for the dismantling of the building was awarded to Adams Project Management and Construction Ltd in January 2007 at a cost of $789,000, plus VAT.
* She said because construction work for the centre was not formally brought to the market, information on the names of companies that tendered and details of the evaluation process used was not applicable.
* To date, the project has not started.
Source: Yvonne Baboolal
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| The big stage and Grand Stand areas at the Queen’s Park Savannah. Photo: Brian Ng Fatt |
For the reconfiguration of the Carnival “place” he said they were not going to interfere with any more green. He added: “We will be embracing architects and engineers and we’re going back on the same footprints. We’re going back to the paved area where the North Stand stood and we’re removing a building at the top of Frederick Street in the Savannah to put the Grand Stand.” As for the cost, he said, the project had to go out for tender before they could determine the figures. But he gave an idea. “Up to 2006, it cost $1.3 million to put up and take down the North Stand and they made a profit of $6 milllion,” he said. When masmen were moved out of the Savannah in 2007, the then Government promised they would return in three years, Lopez said. He said: “We moved out into the street to support the Government’s plan to construct a multi-cultural arts centre. “We have no problem with the return of mas to the Savannah now. The problem is not having a permanent home for Carnival.
“They are going to put up and pull down the structures and we are going to have the same crowding problem. We’re not moving forward. “Wouldn’t it be better to fast track the Carnival centre?” Lopez asked. Interim president of the Trinbago Unified Calypsonians Organisation (Tuco), Brother Resistance (Lutalo Masimba), said Dimanche Gras was held at the Jean Pierre Complex for a “couple of years” after Carnival was moved out of the Savannah in 2007. “We went back last year but we understand there are plans to put up a much more improved structure that would increase seating capacity.” Resistance, a member of the NCC board, endorsed Lopez’s cry for a permanent home for the Carnival arts. He said: “Calypsonians would have a definite place at a Carnival arts centre. “We also want to establish a museum for calypso history which will benefit tourism and education.
More Info
National Carnival Entertainment Centre (NCEC)’s history:
* In September 2007, Culture Minister Joan Yuille-Williams said work for NCEC had not been formally brought to the market.
* She said demolition and dismantling of the underside of the Grand Stand, the office building and forecourt had been completed.
* She said in accordance with the rules of the contractor, the Urban Development Corporation of T&T, a contract for the dismantling of the building was awarded to Adams Project Management and Construction Ltd in January 2007 at a cost of $789,000, plus VAT.
* She said because construction work for the centre was not formally brought to the market, information on the names of companies that tendered and details of the evaluation process used was not applicable.
* To date, the project has not started.
Source: Yvonne Baboolal
Tuesday, November 09, 2010
People’s Band for 2011
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| Savannah tour: Arts and Multiculturalism Minister, Winston Peters, left, chats with chairman of the National Carnival Commission (NCC) Kenny De Silva, right, during a tour of the Queen's Park Savannah, Port-of-Spain, yesterday . An unidentified NCC official is at centre. Author: Sean Archie |
Masqueraders will also get to jump across a big stage once more at the Queen’s Park Savannah, Port-of-Spain and there will be the return of the North and Grand Stands.
Peters made these announcements to reporters yesterday after touring the area in the Savannah where the Grand and North Stands were once located but removed by the previous government to make way for the National Carnival Centre. The parade of the bands has taken the form of a street parade since 2007.
He said the People’s Band was one of the measures to be used to deal with congestion caused by bands seeking to cross the big stage in the Savannah during the Parade of the Bands on Carnival Monday and Tuesday.
He urged persons to either don their old costumes or create new ones to take part in the People’s Band. “I not only hope to see a return of dragon mas but a return of the antique costumes people have all over, under their bed or in their attics. I hope they take them and dust them off so their children can put them on and jump in the band and for once I want to see people be creative. Let them take the opportunity to create costumes because they have no restrictions, all you have to do is to make a costume and you are in the band,” Peters said.
He said he was unconcerned with the impact of this band on the sales of other mas makers. “The mas makers in this country are bringing mas from India and China. So what if the people in Trinidad and Tobago make mas and jump in a band? Those mas makers have to think about if they are not taking away jobs from locals and suppressing the creativity of the people of Trinidad and Tobago when they bring mas from these places ,” he said.
This initiative, he said, will give the ordinary man a chance to participate in Carnival either by creating costumes for himself or his family and close friends or by parading in the free band if he cannot afford the high price of a costume from an established band.
“The big bands are there for the people who want to do it but the Government, through this ministry, is putting something in place so people can just come and play mas and enjoy themselves. Make a costume and come or put on an old one but not one of those made in India and China, a costume from Trinidad and Tobago,” he said.
He said while there may be teething problems experienced because of the return of Carnival to the Savannah, Government will learn from the venture and improve on the Carnival product in years to come. Peters could not give a figure which will be spent to remove the existing stand and reconstruct the Grand and North stands in time for the Parade of Bands on March 7 and 8 next year.
“With a little bit of creativity, we hope we do not have to go too far with expenses. Whatever it takes for us to be here (in the Savannah), we will be here,” he said.
He said while he would not be able to compete as calypsonian Gypsy in the upcoming Carnival season because of his post as minister, he will perform during the season. Peters won the 2010 Extempo Monarch crown during the last Carnival in February.
SOURCE
Monday, October 25, 2010
D Krewe : RHYTHMS: Carnival 2011
Tuesday, October 19, 2010
Mac Farlane portrays beauty of Humanity
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| Bandleader Brian Mac Farlane depicts a wise old sage at the dramatic closing scene of his band launch on Friday. Photo: SEAN NERO |
But, he denied that winning the George Bailey Band of the Year title was central in his thoughts when the depiction was being conceived. He said, “That thinking is banned from my mas camp. The first year I did a band, The Washing, someone jumped up and shouted Band of the Year and I said stop it! Don’t even say that! Do not say that! We are here to project art, our culture, our story line and it is the people to judge. Don’t ever put that into people’s mind. It’ s not about that.” Asked if he knew what portrayal he wanted to bring for Carnival 2011 long before, Mac Farlane said the ideas were never clear. He said when Almighty God or the spirit of the universe got him up and he starts sketching, it’s their will—it’s a direction.
He said: “I’m enjoying it. I know it’s the best thus far. There may be better to come, but I feel very strong about this band. When I think of the presentation I have planned for the street, for the stage now that we are back in the Savannah and the characters I have planned—the King and the Queen—that the mass of power, black and white and silver going through the streets—I think it’s going to be phenomenal.” Friday’s band launch also served as the closing of the two-day ideas seminar called Eventology. The stylishly elegant all-inclusive event opened music from Alternative Quartet and closed with an infectious Carnival styled performance from Roy Cape All Stars featuring Blaxx.
Monday, October 11, 2010
MAC FARLANE'S 'HUMANITY' WEBSITE IS UP AND RUNNING
I like what I see so far and I'm taking a closer analytical look at this presentation so stay tuned this one is HEAVY.
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