ADDICTED MAS 2019 launch "RAPTURE" for NHC 2019

On Monday the 6th of May 2019 Addicted Launched with the band Cocoyea marking not only the sections tenth year of existence but also the relationship shared between the two carnival entities that started in 2010.
held at the Yaa centre cocoyea launched its 2019 theme of SANKOFA. The event was well received and RAPTURE  had a great response, check out this video that summarises the event. 

AFRO DOMINI; THE ADDICTED SYNOPSIS AND THEME FOR NHC 2017

The year is A.D. 2017 and the Addicted Mas section invites you to join us on a journey of realisation, revelation, enlightenment and new understanding.

Come with us and re-examine your past and present, through the
lens of Afrocentric eyes.

AFRO DOMINI

Afro Domini is the awakening of African history and consciousness.  It is taken from the Latin “Anno Domini (AD)” meaning “in the year of the Lord”, based on the traditional year of the birth of Jesus Christ.

Anno:  in the year of his age, taken from anno aetatis suae

Domini: originating from the word dominus, meaning “belonging to the lord god or lord master”

Because of Africa’s presence in World history and events, our designer believes that Anno Domini should be Afro Domini (belonging to Africa). AD is a term used in Western history to define every period of history by Latin Christian dominion, despite the fact that the African continent, its civilisations and histories have pre-dated, contemporised, interacted and interwoven with European history as a silent continuous and undoubtedly dominant partner in history.

Africa and her resources have been tied to humanity’s development in recorded and lost history. Her religions, social and spiritual philosophies have formed foundation blocks in every great empire and epoch in the history of man.  Her mythologies and cultural traditions have survived attacks and atrocities that span geography and time. Her people have been disseminated around the world via land, sea and air; all contributing cultural growth wherever they set foot.

HEGEMONY

Afro Domini is then the awakening and understanding that we are the inheritors of this hegemony.

In the Western cannon, the Motherland is depicted as a dark savage land and her people, an undeveloped nation lacking all necessities that can sustain quality living. When in fact, Africa is the giant that that holds the world on its shoulders. Her people on her lands and her people that make up the Diaspora are the creators of religion, language, music, beauty, fashion, philosophy, art, and society.

Afro Domini is the understanding that you do not sit at the bottom of every social ladder as depicted in the media; but you are the foundation stones of every great society. You are not a symbol of poverty, starvation, illiteracy, and death; but icons of strength, stamina, longevity wealth, knowledge, and immortality.

OUR COSTUMES

Our costumes consist of three main colours: Green, Gold and Black, two of which can be found in the flag of the Pan Africanism movement.  In the flag of Marcus Garvey’s UNIA, Black represented the people and Green the land of Africa. These colours, together with red, can be identified in the national colours of many African and Caribbean countries that share the pan-African philosophy.

Green and Black are also associated with the Oresha Ogun, god of labour, war and technology.  It is said that Ogun clears the roads, and was the first of the Oreshas to come to earth and make a home for humankind.  Ogun is the energy that sustains life and motion, constantly evolving and manifesting in form as we develop.  When the demands on our energies change, Ogun adapts.

 MAS WITH A DIFFERENCE

Afro Domini is an African theme but not an ‘African mas’. In the   The design was also influenced by the rebirth in afro centric awareness in the mainstream society today, especially in fashion. 

tradition of African mas, there are
motifs which are influenced by the African masquerade traditions.

The male headpiece and chest plate draws influence from the Zulu warrior’s traditional costume. The triangular motif throughout the costume echoes that of traditional African design in sculpture and clothing.

 

 The female leg pieces and wristbands are both designed with strips of cloth, a tradition of Carnivals in the Caribbean with its roots in West Africa. Like her counterpart, the triangular and diamond motif is repeated on the leg and armbands.

The stylised sun burst on the skirt, which is repeated on the tiara and headpiece, not only echos Egyptian iconography, but symbolises the awakening and understanding of AD - seeing yourself in a new light that illuminates the past, present and future.

 

 

The loincloth/skirting on the female carries a motif influenced

by the fashionable print seen today.

OUR THEME

Like ZeroFive Fifty, Kingdom come and Unstoppable, Afro Domini is another commentary on of the   Once again the philosophy of Ethiopianism and its base in Psalm 68; 31 “Ethiopia shall soon stretch out her hands onto god” and the belief of the Hebrew Israelites whose ethos lies in the scripture of  Deuteronomy 28; 68 “The Lord will send you back in ships to Egypt on a journey I said you should never make again . There you will offer yourselves for sale to your enemies as male and female slaves” have been used by the designer as the philosophical foundation blocks of the theme.

importance of Africa, her Diaspora and the present Caribbean’s contribution to global development.

Africa’s history has been one of ‘running her jewels’. All her resources including her people, a people the ancient Greeks once believed were so beautiful the Gods dined only with them, have been and is still sought after by her global neighbours. The gold around your neck, the diamonds on your fingers, and the Coltan in your mobile phones. Africa, while excluded from the pages of Western history has spread her arms around the world, her story is not always a beautiful one but her dominating presence is a historical and contemporary fact.

How else can the meek inherit the Earth?

AFRO DOMINI

S. A. Armstrong
Addicted Mas Designer 

ATOMIC: THE ADDICTED SYNOPSIS

The universe radiates with energy

We are made of the universe

We work hard

We play hard

Our lives a constant flow of energy

And energy never dies

We are strong when we unite

In fusion we are Powerful

In fusion we are

Atomic

 Every second of every day of our lives we release energy, like stones thrown in a pond, every one of our actions sends ripples of energy through time and space, constructing futures that affect us directly and those around us indirectly.

With only a thought and an action any one of us can change the course of our lives or history.

What kind of existence could we construct for ourselves if we combined our energies for a single cause?

What walls could we breakdown, what empires could we construct?

Combining our energies we could be the most powerful force on the planet, like an atomic bomb obliterating barriers and reshaping the environment in our favour. If we were to fuse like atoms the energies we release could be unstoppable.

“If you want to find the secrets of the universe,

 think in terms of energy, frequency and vibration.” 

Nikola Tesla

In World War II the United States dropped two Atomic bombs on

Japan breaking the back of the Japanese war machine and establishing the United states as a new world power .

  Less than seventy years later the Japanese economy is one of the strongest in the world the culture of the people and their abilities to harness their energy mean that not even an A-bomb could stop their progress.

It is from that snipet of history that atomic theme was born. The energy we poses and release in our lifetimes never die,  even long after we die our actions go on affecting and consturucting the world around us. Sometimes unknown to us our energies can clear a path or form obstacles creating a an environment in which we exist.

Ripples &waves:

What does expelled energy look like? Often it is depicted in ripples or waves expanding into a limitless space of light or darkness, it is this ripple / wave motif that the designer used throughout the costumes.

On the female costume the motif curves   like the curves of a woman her energy is soft but strong, constant, and rhythmic.

 

On the males the motif is bold and sharp, masculine in nature. Strong like that of the shock wave of an earthquake or an explosion

The headpiece is based on that of the helmet of the samurai, the front of these helmits often symbolically depicted an aspect of the animal or force of nature that the samurai wished to attack his opponent with.

So to does our headpiece symbolise the unleashed energies of an atomic explosion with its energies reaching out beyond its physical manifestation.

The costumes main colors are the high energy colors red, yellow and gold.

Red is associated with passions sexuality, courage, and willpower and stamina

Yellow is associated with joy intellectual and physical energy, creativity, humor and personal power.

Atomic is you: An energized individual in a larger environment of energy.

Atomic is your energy: that energy that enables action, that creates, that affects change, but never dies..

Atomic is Fusion. Ideas shared, goals collected, talents amalgamated, 

 Energies combined, and goals achieved.

We are Atomic

Our energies have combined

And we're about to explode.

see the Addicted website for more details

For Jesell Spencer Knight.1981 - 2014

 whose energy lives on...

S.A. Armstrong

Addicted  Designer

ADDICTED LAUNCH ATOMIC TODAY!

Atomic is you: An energized individual in a larger environment of energy.

Atomic is your energy: that energy that enables action, that creates, that affects change, but never dies..

Atomic is Fusion. Ideas shared, goals collected, talents amalgamated, 

 Energies combined, and goals achieved.

We are Atomic

Our energies have combined

And we're about to explode. 

Addicted Mas: ZERO-FIVE- FIFTY ;Synopsis.

On Sunday 15^th of June the Mas division of Specialist Entertainment ADDICTED launched their section for NHC 2014 ‘ZERO- FIVE FIFTY’, and have now released pictures and synopsis for their 2014 presentation.

Check it out.

As we approach the 5oth year of this landmark on the British cultural landscape called the Notting hill carnival, and 5 years of the Addicted section partaking in this socio/ cultural titan of a celebration with Cocoyea, Addicted celebrates the past and present through the metallic lens of the future, in ZERO FIVE FIFTY.

 ‘Five years of Addicted, Fifty years of Notting hill Carnival’

Zero Five Fifty the theme and Storyline is inspired by the Afrofuturism movement.

 “literary and cultural aesthetic that combines elements of science fiction,historical fiction, fantasy, Afrocentricity, and magic realism with non-Westerncosmologies in order to critique not only the present-day dilemmas of people of color, but also to revise, interrogate, and re-examine the historical events of the past”

The year is 2114 AD and a group of time travellers in search of the perfect multicultural society travel back through time to experience first-hand what Notting Hill Carnival was like in its historic 50^th year of existence.

The Afrotek time machine transports the group to the heart of the festival in the legendary ADDICTED MAS section whose energy and symbolic golden lotus costume epitomised all achievement and enlightenment, the utopian existence the travellers were in search of... 

The future starts now.

ZERO FIVE FIFTY: The Golden Lotus.

 Design and inspiration

Because the lotus flower grows in murky muddy water, surfaces to bloom during the day, only to return to the murky depths of mud at night, cultures across the globe have identified the lotus with many aspects of life.

 In ancient Egypt it was associated with the sun, beauty, resurrection, and rebirth. In Buddhism it is a symbol of purity in mind speech and body, in Hinduism, beauty and spiritual awakening. It is on this premise that the designer S.A Armstrong saw inspiration in not only the petals of the lotus flower but also its life cycle.

It was 50 years ago out of the dark racially explosive period of the late 1950’s the Trinidad and Tobago's carnival culture made its first appearance in London.  By 1965 Mrs Rhaune Laslett O’Brian (1919 2002) a community activist and Trinidadian musician Mr Russ Henderson MBE started a street parade that became known as the Notting Hill Carnival.

Like the lotus the carnival grew out of the impoverished streets of post WW2 West London and the social murk of racism and social ostracising to blossom like the lotus flower into London’s most popular social symbol of creativity, beauty and multiculturalism. 

The costumes are made up of three colours.

Gold the 50^th anniversary is called the golden anniversary or golden jubilee and in recognition and of this milestone year the costumes main colour is gold.

Silver: the hints of silver in the costumes symbolise not only the 5 years of the Addicted presence in Notting hill but also the chrome of the steel pan the instrument that literally paved the way with music for Europe's biggest Caribbean carnival to take place.

Purple / violet is thought to be the highest chakra in the human body and symbolises creativity beauty and inspiration, the very building blocks of our carnival, it is also considered to be the colour of  royalty, nobility and power.

S.A. Armstrong

Addicted Designer.

Zero Five Fifty will be on the road with the band Cocoyea on bank holiday Monday August 25^th 2014.

For more information contact: Melmia Innis , Juniour Innis, or Specialist Entertainment