Showing posts with label MAS. Show all posts
Showing posts with label MAS. Show all posts

Tuesday, March 10, 2015

Herbie Hancock: Breaking the Rules | Mahindra Humanities Center

Every year after carnival, there are official and unofficial post mortems of the festival, and every year the cries get louder and louder as to the uncreative desert that seems to be expanding like the Sahara across the geography of Trinidad’s carnival, and her satellite carnivals.

At a recent UTT post mortem I attended there were observations made by some of the masters students on the lack of creativity in mas and music, the unoriginal concepts in design, and the various effects this was having on the festival, like the ominous elephant that the empty north stand has become.

Thinking about the problem post independent, post oil boom, generations are having with creativity across the carnival landscape, it is clear that we lost the creative edge. Creative and critical thinking seems to be a rarity in a society where it was once abundant. In an age when access to knowledge and information, is at our fingertips at almost any second of the day to help build on creative expressions, we have gotten stuck in the business language of spin, 'service', and 'experience', forgetting that creativity is what filled the stands in our recent past.

In the lecture 'breaking the rules', Jazz pioneer Herbie Hancock talks about breaking the rules as an avenue to creativity.  In a society like Trinidad's where rules and laws are broken on a daily basis it’s ironic that when it comes to mas and creative thinking, there are, or seem to be unwritten rules that ‘designers’ appear to be both  limited  and defined by.

In this era of  universal education, and a  growing middle class, the society is clearly not producing pioneers like before, designers today seem to lack the courage and imagination  to create new passages, or even develop on older traditions, our traditional mas seems to have no direct attachment or influence to our modern ‘expression’ and therefore has nothing to stand on except for repetition.

Hancock  explores these avenues in this lecture, he says breaking the rules was an essential part of his creative development. Observation and study of the environment can provide all the tools for new expressions in creativity, shattering the written and unwritten rules of the old yet building and reconstructing on some of the very foundations. George Bailey and David Rudder did it, The Mighty Sparrow , Peter Minshall, and recently  Machel Montanto all broke the unwritten rules and excelled, what’s stopping the rest?

Listen, learn, and enjoy.


Friday, February 27, 2015

Thursday, January 08, 2015

Memories - George Bailey Trinidad Carnival's Greatest Bandleader. A Film by Aldric G. Bailey

Take a look at this short film by Aldric Bailey that look s back at the life, works and achievements of the legendary mas man, band leader George Bailey and the legacy of that creative hub called Buller Street.

A Film by Aldric G. Bailey

"In 1959, Your Uncle George, the most famous of all the bandleaders, had produced Relics of Egypt... 
To me, Relics Of Egypt, was a continuation of Cecil B. De Mille's "The Ten Commandments"
and then he went on to win 3 more consecutively, that would be '59, '60, '61 and '62
But... In your Uncle's band... 
There was a... an individual who to me is the greatest individual in the History of Carnival, throughout The World... 
Because he is the first and only person ever, to produce a costume, that transcends all civilizations...
Which is really the concern of all men... 
Stipulated when the reknown English poet Keats, said, 'Beauty is truth, truth beauty,' — that is all Ye know on earth, and all ye need to know.”
John Keats - English Poet 1795 - 1821
Well, the individual, Terrence Evelyn, more popularly known as "Terry", produced a costume called, "Beauty in Perpetuity"
Obviously it would be difficult nay, nearly impossible, to produce a costume like that even every ten (10) years, but, to me, that is where we went, (I don't want to say "wrong") but we didn't try at least to keep up, with what that fella was saying... 
That the most important thing on the Earth is "Beauty" 
That is what, I think, we have lost...
Carnival needs, people like your Uncle, Evelyn, get Minshall, back into the arena...
Because no one I t hink, would like to go to Madrid, and go into The Bullring, and then you are told, "The best Bullfighter isn't facing the bulls"
Which is what we are really seeing here... People come to Trinidad and Minshall isn't producing a band and he is alive, people come here and Evelyn is not on the stage and he is alive...
[It] comes back again to what I had mentioned, what Uncle George say... "Tears of The Indies"... 

I, again, like I say, I'm on the outside looking in... and I was born in a time when, with respect, you know 15 Buller Street... I don't need to tell you, there used to be the empty lot behind... Several costumes, have gone over that wall to make their way up to the savannah to compete, King and Queen of the Bands...
I've lso heard stories of 15 Buller Street, being a Mecca of craftsmanship, Everything used to take place from screen printing to leather craft to papier mache to macrame to, you know, all of these crafts... 
It was like... ummm... A University of sorts, a repository of creative genius... 
That is where, when your Uncle decided to play The Realm of Fancy Bats and Clowns, it was from that, call it, potpourri, that Evelyn would choose to play "Beauty in Perpetuity"... so... you have to give...
Something went on in 15 Buller Street, it's there that Evelyn I understand, would sit down and be making these circles and circles...
So 15 Buller Street needs to be investigated and I don't mean 15 Buller Street alone, but all who came out of 15 Buller Street, like, the young boy, Stephen Derek, who is a, who is the main product of your father... So that... That's why I told you in the beginning Aldric, I really don't know..."

Saturday, November 01, 2014

40 years of Hip Hop by KRS-One

A most valuable lecture on Hip Hop consciousness, culture, products, and celebrity, by the living legend ‘KRS ONE’. Every now and then I post something hip hop on my blog, and it’s because hip hop culture and carnival culture are descendants of the same root culture, and are both subject to the same type of external entities that commercialise them, corrupting the magic of the original art forms. Listen to KRS ONE if you will, replace hip hop with mas or carnival if you must, see the parallels and connect the dots.
See...

Saturday, July 13, 2013

BLAZE: Release the fire inside. Costumes and Synopsis.

ADDICTED. has launched online their theme and costumes for their section  in the Notting Hill Carnival 2013 called 'BLAZE; Release the fire inside'.
 The costumes and synopsis speak for themselves so take a look take a read, understand the theme, and play the mas.

 Synopsis


There are thousands of people in this world that are not living the life that their hearts desire, instead they act out a life that society, fear and inaction dictates that they live.  As a result the soul which is the part of us where dreams and desires inhabit becomes tarnished and worn; when the soul is denied true
expression it becomes dull and starts to shrink, like a fire which can roar fiercely alive and bright but is not fed and is left to fade it eventual dies. 

The same is true for the soul when we do not pursue our heart’s desire, we fade from existence worn by the weight of unfulfilled dreams and lost opportunities we start to exist rather than live, dogged by a lifetime of regret and unfulfilled destinies.

Then there are those who live their lives to the fullest, those who from an early age can identify their
passions and unleash that fire in their hearts to create their own destinies, fulfilling every hope, dream and aspiration they desire in the process.
Like fire breathing dragons of mythology, such individuals seem to soar through life obliterating any obstacles that may come between them and their hearts desire, claiming fully their destiny.
Releasing the fire and passion we all carry within us, these individuals always seem to stand out with a positive energy, a fire that attracts people and opportunities, they burn
bright with illuminating colours of yellows, gold’s, and oranges like the flames of the brightest fires.
So come join us at Notting hill as we set the streets alight with the boldness of our expression fed from the fire of our heart’s desire.

Release your fire inside.

THE MAS:


The Heart.

Throughout the costumes design the motif of the heart is repeated in both male and female costumes, a universal symbol of love and passion, the heart was believed by the ancient Egyptians to be the seat of wisdom and emotion and the soul, even in the present day the heart is described as the place where we experience the pains of sorrow or elation and joy, it is in the heart that our desires burn like a fuel propelling us to action.  
 

The Dragons

No other mythological creature exemplifies the power of a fire breather than a dragon like the heart the dragon too is a universal symbol and found in myths and cultures all over the world in different forms. In the mas the dragon is an analogy of that individual who has released the fire that burns within us upon the earth, an awesome power that we need not fear for it can clear a path to which we can all achieve our fullest potentials.



Addicted will be on the road with Cocoyea and got probably the most competitive package available.
For more information hit this link,  http://specialist-events.com/carnival.php
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Wednesday, November 16, 2011

IMMORTALS COSTUME DESIGNER EIKO ISHIOKA

I went to see the movie immortals last night, I  thought it rocked, Tarsim Singh is one of my favorite directors, and while IMMORTALS is just his 3rd movie (and I have seen them all)  like the others it ROCKS!
In costume design he has teamed up once again withe designer Eiko Ishioka, a designer I mentioned a couple post back.
take a look at this clip as she explains her approach to the design of the costumes in this movie.

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Monday, March 03, 2008

THINGS OF INSPIRATION...









n the realisation that I was not going to Trinidad for Carnival 2008, I comforted my self by visiting Tate Modern on the southern side of the Thames River. I was blown away this time, by the work of Louise Bourgeois. A massive collection of the 96 year old was on display, over 200 pieces in all kinds of mediums and materials. What impressed me away this time was one massive spider sculpture called Maman. This piece that greeted you outside the Tate modern was compared by the artist to her mother, who she describes as “deliberate, clever, patient, soothing, reasonable, dainty, subtle, indispensable, and neat” she also thinks the spider , or her mom is also fiddly and over rational…

It is said that Bourgeois has a style that can not be categorised or nailed down and that she dabbles with techniques that are modern and traditional, and that her works continuously defies convention. These are qualities I admire and try to adopt to my own works in mas. I took pictures of Maman but was not allowed to take photos of the other stuff inside the Tate, but the spider is enough of a visual wonder anyway, so take a little look at Maman as I saw it.










Her spider also brings to mind Minshalls ‘Kiss of the spider woman’ from the band Sans Humanite in 1989.
If only because they both represent females, or female qualities, that are at opposite sides of the female spectrum.

A second piece if I can call it that was what is in effect a massive crack in the turbine hall of the Tate modern. Created by the artist Doris Salcedo this work is called wait for it SHIBBOLETH. This man or should I say a woman made crack is concrete cast with a chain linked wire fence and represents for the artist a disregarded marginalised and obliterated history of racism and the dark side of modernity… to be honest I did not get it all but taking pictures of it was great.


In a booklet given to me on the crack it said that shibboleth “is a word used as a test for detecting people from another district or country by their pronunciation …it is therefore a way of separating one people from another.” I guess if a certain rumour is true about the splitting of a certain big fun band next year, the SHIBBOLETH, will be ‘all inclusive or none.’

Like I said before I enjoyed taking pictures of the fissure, and do marvel at the depth of the metaphor applied to its creation, these are but some of the different aspects of creativity in carnival art, I believe the young masmen and modern designers should be going to such lengths if they are to successfully carry the torch for Trinidad’s Carnival, making it or keeping it the greatest show on earth.

Take a look at the pics anyway.







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