TIME MACHINE: Trinidad and Tobago Carnival 1962.

1962 was a very eventful year in world history; there was a coup and a counter coup in the Dominican Republic, ‘The Incredible Hulk #1’ by Stan Lee and Jack Kerby made its debut.

 Rwanda, Burundi and Algeria, gained independence, Telstar relayed the first live trains Atlantic television signal, actress Marilyn Monroe died, Nelson Mandela was arrested in Howick, Spider man made his first appearance in Marvel Comics, James Merideth registered at the University of Mississippi, escorted by federal marshals, and the Soviet Union and the United States almost started WW3 and Armageddon during the Cuban missile crises.

1962 was also the year Trinidad and Tobago gained independence from Great Britain, and it is the year 1962 that Massassination will start its exploration of the past 50 years of the Trinidad and Tobago Carnival, in the ‘Time Machine’.

TIME MACHINE DESTINATION :1962

Examining the Carnivals of the past we can tell a lot about the society of the time, listening to the calypso’s of the period, especially social commentary we can form a picture of the society, and the issues that affected it during any given year. Looking at the mas bands at the time and the themes that were mostly historical, it is possible to ascertain that the question of identity racial, social, and global held precedence on the minds of bandleaders, mas men (carnival artist), and the masqueraders, (the wider population).  

Coat of Arms of the Federation.

 The Trinidad and Tobago carnival of 1962 was preceded by a period of great change in the region. The British West Indian colonies saw their first real attempt at political integration in 1958 with the idea of being a single independent state, ‘The West Indies Federation’, however dramatically collapse before their eyes in January1962. This collapse saw Islands like Jamaica and Trinidad then perusing individual independence for their people that was achieved later that year, and signified a new era of nationalism, self determination, and national identity.

Carnival 1962: March, 5^th & 6^th.

Queen of the Bands:

Esther Theodore: Queen of the bands 1962 .
 source:
The Carnivals of Trinidad and Tobago.
M Anthony.

Dimanche Gras on the 4^th of March 1962, and saw the crowning of  Esther Theodore, as the ‘Queen Of The Bands’, Theodore, who won the very first queen of the bands competition  in 1959, won again in 1962 portraying  ‘Cleopatra’ from Mack Copeland’s band ‘Glory of the Pharaohs’. A King of the bands completion did not take place till 1963.

“The prize included a trip to the Waldorf Astoria in New York, a prize donated by Hilton Hotel as part of its promotion drive for the newly built Trinidad Hilton hotel.

Of that trip, Theodore said, “When I went on the trip I became an ambassador for Trinidad and Tobago in the field of Carnival. It was the first time Carnival was played in New York. I had to visit several places to introduce Carnival as a tourist attraction. One of the finest places I visited was St Nicholas Arena.”

The costume she wore on that occasion was described as a masterpiece. It was designed to fit a regal figure with a train 16 yards long and embroidered with symbols of Egyptian royalty and lotus flowers representing the “sun dance”.

There were also sacred emblems of the hawk, cobras and papyrus writings.” (Louis B Homer)

Calypso King:

The Calypso King competition saw the King of 1961 The Mighty Dougla; face the challenge of an already 2 time winner The Mighty Sparrow, The Mighty fighter, Lord Blakie, Nat Hepburn, Lord Cristo, Young Killer, Young Creole, and Lord Superior. (Michael Anthony pg 328)

When the battle was over The Mighty Sparrow won his third Calypso King title with two highly critical Calypsos, “Robbery with a V” where Sparrow accused the judges of robbing him of the title in 1961, giving it to Dougla, and the immortal classic, “Federation”, where sparrow expressed the frustration and disappointment of not just Trinbagonians but the Caribbean people, and angrily   chastised the Jamaicans for leaving and in effect destroying the Federation.

“If they know they didn’t want Federation,

And they know they didn’t want to unite as one,

Tell the doctor you not in favour,*

Don’t behave like a blasted traitor,

How the devil you could say you ain’t federating no more!”

(*Dr Eric Williams then leader of the PNM)

Road March:

Lord Blakie won his second ‘Road March’ title in 1962 with a witty Calypso that maximised the use of the 'double entendre' called Maria.

“Maria girl I love you so bad.

Maria if you leave me now will be hard

I don’t know what make me love so,

But she get me sweet!

What she give me to rub I eat.”

According to historian Michel Anthony this was the first time the road march was officially recognised in P.O.S, and Blakie won a $50 dollars in prize money. 2^nd place went to Nelson Caton who sang Tattle Tale and 3^rd went to Sparrow who sang Sparrow come back home.

Band of the Year:

George Bailey.

 By 1962 band leader George Bailey already established himself among the pantheon of ‘golden age’ bandleaders. Battling for the B.O.T.Y title in 62, were bandleaders  with presentations, such as, Edmund Hart’s Flag wavers of Siena, Harold Saldenha’s  Julius Caesar and the Conquest of Gaul, Geraldo Vieira’s Myths, Fables, and Legends and Jack Braithwaite’s Valhalla.

But carnival 1962 belonged to Bailey, his band Somewhere in New Guinea, won the band of the year award, the people’s choice award, Edmund Hart’s Flag wavers of Siena and Cito Velasquez’s, Natures Notebook, won second and third places in the competition.

“Although the bands following George Bailey were of great beauty none equalled or surpassed Somewhere in New Guinea...it was this band which won Band of the Year. This meant that George Bailey had won the title four years in a row.” (Michael Anthony pg385)

In San Fernando, it was Mac Copland’s Glory of the Pharaohs that beat the competition of Clemmie George’s Fabulous East, and Irwin Simmons Relics of the Bronze Age, to claim the southlands, B.O.T.Y title.

Pan:

While there was no Panorama in 62, there was a music festival that was won by the 'North Stars' that played "Voices of Spring" by Johann Strauss.

By the 31^st of August 1962 Trinidad and Tobago was an independent nation, Britain’s Union Jack was lowered and the Red White and Black colours of Trinidad and Tobago were raised. Eric Williams was the first Prime Minister and the untold future was ready to reveal itself to an ambitious people.

Red with a white-edged black diagonal band from the upper hoist side to the lower fly side; the colours represent the elements of earth, water, and fire; black stands for the wealth of the land and the dedication of the people; white symbolizes the sea surrounding the islands, the purity of the country's aspirations, and equality; red symbolizes the warmth and energy of the sun, the vitality of the land, and the courage and friendliness of its people.

(source: C.I.A)

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Historian praises Guardian role in shaping Carnival

Author and historian Michael Anthony says the publishing of his most recent book would not have been possible without the T&T Guardian. At a NGC Bocas Lit Fest short talk on the evolution of Carnival yesterday, Anthony discussed the T&T Guardian’s role in bringing Carnival to the Queen’s Park Savannah in 1919. “If that hadn’t happened I wouldn’t have written this book,” he said.

The 1919 Victory Carnival, a chapter in his book, Carnivals of Trinidad and Tobago from Inception to Year 2000 (Macmillan 2011), was the first year Carnival celebrations and competitions were taken to the venue where Carnival’s most definitive stage is now housed.

Author and historian Michael Anthony autographs his book
 after making a presentation on the evolution of Carnival
 at the Old Fire Station in Port-of-Spain,
 during the 2012 NGC Bocas Lit Fest yesterday.
 PHOTO: SHIRLEY BAHADUR

As Anthony pointed out, in 1919 the Trinidad Guardian—at the time a broadsheet—sponsored Carnival celebrations at the Queen’s Park Savannah to commemorate the end of World War I.  He said that the participants were mainly upper-class and news reports from this era wrote solely from that viewpoint.

The T&T Guardian continued to sponsor Carnivals at the Savannah and when the transition from private to state-sponsored Carnivals occurred, the gates were opened to the public.   Although the Queen’s Park Savannah has evolved into a home for the festival, the mas performed there has waned he said.  Anthony expressed disappointment with Carnival’s commercial shift, saying the glorious period of Carnival, which he places in the 1930s, is gone.

“My feeling is that it has definitely declined and lost its meaningfulness. The best part of Carnival that remains in its natural form is the J’Ouvert.” When Carnival became a business, it lost the traditions of art and theatre, he observed. The discussion yesterday, chaired by radio journalist Sterling Henderson, opened with a reading on the Carnival of 1962, the Carnival of the Independence year. Anthony described the vicious battle for the calypso crown between The Mighty Sparrow and Mighty Dougla and the placards at J’Ouvert that read “Lord Hailes seeing his last Carnival.”

SOURCE

Zahra Gordon

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TIME MACHINE: Trinidad Carnival 1995

Controversy is a tradition of Carnival in Trinidad, every year you can bet there is going to be a tune, a mas band, or a government policy, that will upset the masses and result in a rise in public opinion.

One of  the biggest controversies  of Carnival 1995 was  the Minshall vs Church  saga  when various Christian  denominations  including the Catholic Church opposed his use of the word Hallelujah  in his carnival presentation , little did we know  that some 16 years later  the Catholic Church itself will bring a mas band on the road.

Goes to show, Minshall was simply ahead of the game, and the society.

Ricardo Harewood was 'Spirit of Light' in 1995.

In 1995 Minshall’s Hallelujah won the N.C.C’s Band of the Year title. Minshall was followed by the Legend Wayne Berkley’s band Origami in 2^nd place with Richard Afong’s Barbarossa presentation ‘East of Sumatra’ coming in third.

The medium band of the year was won by Stephen Derek and D Midas Associates with Ebony and Ivory.  Jason Griffith’s ‘Shipwreck’ gained second place and ‘Total Delights’ by showcase coming in third.

The small band category was lead by Henry Ramdin and Anthony Jackman’s ‘Dakota Dog Dancers’.Neville Aming’s ‘Festival in Ethiopia’ was second , with yet another legendary name in carnival Glendon Morris’s band was third with ‘Original Stylish Sailors’

Roland St George1995 'Fury of Djarkata'

The 1995 King of Carnival title was won by Hilton Cox who portrayed ‘Mystic Dawn’ from the Stephen Lee Hung ‘Oceania’. It was the fourth title of his career.

Second place was won by Roland St George  in his portrayal ‘Fury of Djarkata.

Third place was won by the late great Tedder Eustace , who portrayed  ‘Star of wonder, Star of Light’.

The Queen of Carnival title was won by Alyson Brown who portrayed ‘Joy to the World’ from Minshall’s band Hallelujah. Anra Bobb was second with ‘Peace and Love’ she was followed up by Ira Patterson in ‘Goddess of Wisdom and Light’.

Shane Correia: King 'Carnivore'.

The Dimamanche Gras Calypso Monarch final was won by Leroy Calliste (Black Stalin). The 1995’title the fourth in his career was won with two tunes, “Tribute to Sundar Popo’ and ‘In Time’. Second place was won by Cro Cro with the Mighty Sparrow coming in third.

The Road March title OF 1995 was won by Super Blue with the soca tune ‘Signal to Lara’.

The Rest is Carnival History.

Mas Assassin out!

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Lord Invader: My Intention is War!

I came across this X-Tempo clash between Lord Invader and Dictator and fell in love with it.

The true skill of the Calypsoian is highlighted in this at form and this clash between Invader and Dictator sees dictator backing down from a real battle, I just love it!

From the Oral traditions of the plantations to the stickfights of the Kalenda , and the xtempo, Calypso and Soca Monarch  competitions of today the art form of Calypso has directed, documented, and reflected the opinions of the society....

Later. 

 

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