Showing posts with label Fashion. Show all posts
Showing posts with label Fashion. Show all posts

Friday, June 14, 2013

IRIS VAN HERPEN.

Iris Van Herpen, she got mad skills! #Irisvanh...
Iris Van Herpen, she got mad skills! #Irisvanherpen
 #fashion #HauteCouture. via masassassin
I have always argued that young aspiring mas designers and many of the established ones too should stop looking at each other and recreating each others work, and look outside of Trinidad's Carnival for inspiration, and new expression.
Iris Van Herpen.
Look at science and technology, architecture, industrial design, Hollywood, Bollywood,  modern art, archeology the world is an ocean of inspiration of which any designer can gain new ideas and contribute to a creative rise in carnival art and even the so called industry.
Recently I have been looking at the works of  fashion designer Iris Van Herpen.
Van Herpen
graduated from the Art Institute of  Arnhem  ArtEZ in 2006 and worked for Alexander McQueen in London. In 2007 she presented her very own collection and is known for using modern technology such as 3D printers and the latest fabrics in her creative processes.

The following is an interview she did for DROME magazine  where
she talks about her creative process and influences and below that here 2013 collection 'Voltage'.

  

IN THE VAN #04 | Special Guest: IRIS VAN HERPEN | a project by DROME magazine from PHLEGMATICS on Vimeo.
IN THE VAN #04 | Special Guest: IRIS VAN HERPEN

a project by DROME magazine

text by Giulia Fasanella
photos and video by Jacopo Pergameno
music by Databhi
special thanks: MAXXI, IED
_

In The Van is the new project by DROME magazine, born from the necessity to let discover the most fresh and promising creative personalities in fashion, knocking on the doors of their studios.
It starts from Rome, the city that gave birth to the magazine.

dromemagazine.com/in-the-van
Enhanced by Zemanta

Monday, October 29, 2012

K2K THE HUMAN RACE DECODED.

While never mentioning where they got their ideas from K2K never hid the fact that the fashion industry was the ocean from which their influence and inspirations were coming from "We hope to be those faces to take carnival to a new level by mixing fashion with mas, and expressing mas as a contemporary art form.”

 Last year I called K2K the new leaders of the new school because they dared to look outside the little box that is the creativity of contemporary Trinidad Carnival and bring a fresh new, highly stylized look to 21st Century mas. My only real critique of the band however was that the designers took too much from the world of fashion and cinema, that identifying the source was easy and this somehow...devalued the authenticity of the mas, and the creativity of the designers.

 This year K2K has gained a rave reviews for the 2013 offering of ‘The Human Race’ and while many admire the craftsmanship in the design there are those who wonder where exactly did they get these concepts from, and there are those who had an idea a long time ago where the whole concept came from but could not identify the designer or designers.



The release of the Nicki Minaj video ‘Va Va Voom’ over the weekend had bloggers and carnivalist alike asking if K2K‘s mas had somehow been ‘copied’or replicated for the video like the ‘Merry Monarch was for Janet Jackson's 'Escapade' video back in the 80’s. Or were such costumes and headpieces already out there?

As a fan of the group ‘Swedish house Mafia’ I am subscribed to their, youtube channel and knew of the 'Greyhound' video long before K2K launched ‘The Human race’, in the video you can see not only the inspiration for the designs but probably the theme too. Once again the twins have not only in my opinion drew too much from a well of inspiration but have taken so much from one source that in my opinion the thin line between inspiration and plagiarism may have been crossed. Not a good look for those who wish to somehow copyright the intellectual property of Mas in Trinidad.

Anyway my investigations came up with the name of costume designer and stylist Andrea de Araujo and short tour of her web site and resume reveals a good bit of her work has inspired K2K, thus far.

Enhanced by Zemanta

Wednesday, September 19, 2012

ALL BLACK MODELS FOR PHILIP TREACY 2013 FASHION SHOW.

Photo by Gareth Cattermole/Getty Images)

On the 16:09:12, arguably the most famous milliner in the World, Philip Treacy made his first appearance in 12 years in The Royal Court of Justice at London Fashion week 2012.

 For his spring summer collection for 2013, he paid tribute to the late King of pop Michael Jackson, and the style and power of African women.
Photo by Gareth Cattermole/Getty Images)

 According to the 'Evening Standard' Treacy is quoted as saying “The show was homage to the Africanwoman and their sensibility to dress up.
On show were 37 outfits owned by the late ‘King of Pop’ Michael Jackson. These were worn with Jackson inspired, Treacy designed hats,by cast of 25 models all of various Black/Afro backgrounds. 

The move has also restarted the question of why “minorities” are hardly represented in the fashion industry.

Nice move Philip Treacy!




 
BRAHVO!  BRAHVO! BRAHVO!
                                                               
Enhanced by Zemanta

Wednesday, August 22, 2012

K2K's GALA EVENT

Animated sequence of a race horse galloping. P...
Animated sequence of a race horse galloping. Photos taken by Eadweard Muybridge (died 1904), first published in 1887 at Philadelphia (Animal Locomotion). (Photo credit: Wikipedia)

The K2K launch published as an event at Queens hall on 9:08:12, and it was indeed my first band launch in Trinidad in over a decade I must admit while I was happy it was a K2K launch the  idea of dressing elegantly or ‘dressing up’ for a launch did bother me a bit, but in the theme of things this was not just a band launch / fashion show it was an ‘event’ so I resisted the rebel in me and went with the flow.
At Queens Hall, I felt this was indeed the theme playing out in real life, or life imitating art imitating life...but just not mine.  Sitting watching masqueraders and potential masqueraders walk in mixed with public figures I noticed a complete absence of music of any sought; I constantly had to remind myself this is not a band launch...it’s an event.

The event started (fashionably?) late as they do and while I walked past the seats reserved for the special people and found a seat I was happy with I could not help but noticed that the audience was made up of about every possible age group, leaning towards the mature, (maybe $ 450.dollar price of the tickets had its part to play with the turnout...) and then the show started.

 Billed as a Gala event the show had a dramatic enough start but in my opinion failed to create the drama excitement or general atmosphere a horse race or even a horse race themed show might create. 

I somehow looked forward to a show that mixed the best of a fashion show with the best of dramatic band launch with story line plot a protagonist etc, instead the audience was treated to a fashion show...(and if I had to be honestly critical while all of queens hall was used in the production, It seemed no better in execution than some I seen in my school days),while I did enjoy the sound track during the presentation I did take note that there was no soca either...   not even the names of the sections were announced as the costumes came on stage, so the audience had to guess through observation who was horse rider and spectator...depending on who held a crop or wore or posed with a horse head or helmet.


By now we all know the theme of the band and its fractions made up of horse, rider/jockey, and spectator. But this well publicised show did not do much if anything for the theme, while I went to the show with an open mind ready to accept something different I feel an opportunity to captivate and fascinate future masqueraders totally, may have been missed by the show’s lack of storyline or basic information in the names of the sections being announced when the costumes were on stage.



The Mas
From the stylised horse headpieces with golden manes, to riding crops, with gloves and riding boots and goggles all indicate the equestrian theme of the mas, multi layered rhinestone covered dresses, lace covered umbrellas, and top hats reflect the pomp and glamour in the horse races of high society of another period.

This band seems to emulate the bourgeois from launch to costume design; this gave me the impression that this ‘human race ‘ was not a comment on the pressures and misdirected material values of modern society, this was a celebration of  these values   the race was not  the high pressured battle of ambition, goals, and hurdles and but a celebration of high society where even the jockey’s could be spectators, or kings they seemed so ...established, and the horses (our ambitions) have all been achieved...

With this presentation K2K’s mas dances even more than the waters, on the border between high fashion and high mas, leaving some potential masqueraders   questioning the road worthiness of the costumes in terms of comfort and practicality, masqueraders who played with k2k last carnival however, (the ones I spoke too) seemed more positive about the mas and the sections they were interested in or definitely going to play in. Once again the costumes display in construction, and tailoring craftsmanship  way above that of the regular mas band, a quality that will no doubt see K2K claiming more awards on the road come 2013.
The band also echo’s silhouettes from last year’s mas in both the male and female designs, half jackets, caged apparel, skirting for the men , this may be a trademark look of the Norman twins, or a reoccurring  theme that might join the trilogy together,  but when the fashion world is your pool of inspiration such reoccurring  styles can be bypassed. 

All said and done, in their launch, K2K have provided another visual spectacular in the ‘Human Race’,  the Norman twins in their second outing  have in my opinion strengthened their grip on the leaders of the new school title, using more vision imagination and originality than any of their contemporaries, they have succeeded in getting other designers and band leaders scampering around their search engines looking for themes and designs in an attempt to add some depth to their presentations and legitimise their presence by contemplating  competing for a title.
A title that is already within the grip of the twins once all goes as planned for them.




Enhanced by Zemanta

Wednesday, November 30, 2011

Kanye West and Maroon 5 at the Victoria's Secret Fashion show 2011

I'm looking at the highlights of the Victoria's Secret fashion show and thinking "damn they got more energy displayed on stage than some of those launches in Trinidad, and they got themes they stick too!"
take note.



Enhanced by Zemanta

Saturday, November 05, 2011

K2K ALLIANCE & PARTNERS : The New Cool of the New School

The Yellow Sea.

Not since ‘Tantana’ has high mas and high fashion been merged the way K2K has merged the two with their presentation of ‘The waters seas of consciousness.  With this band as their opening gambit K2K have confidently placed themselves at the very cutting edge of contemporary mas.
In waters the designers Kathy and Karen Norman use the seas as a metaphor of mans consciousness and the evolution that consciousness may take in becoming self aware. Each section is named after a body of water that may have a historical/religious connection to the state of consciousness each section represents.


Unlike the fun bands of today, K2K  make it very clear that  they intend to bring back the old ethos  of story telling through the medium of mas, and reinventing  what they call the ‘ the cinematic  beauty  through choreography  and design’.  Another factor that places K2K at least 3 tiers above the likes of Yuma, tribe and the rest of fabulous fantasy merchants is the fact that they clearly recognise and appreciate the historical significance of the prestigious title ‘Band of the Year’, and boldly state that they intend to win it, a title we all know only the very best of the mas fraternity can claim on the streets of Port of Spain.

Break in tradition:

Unlike the legendary bands of yesteryear, that drew inspiration from epic Hollywood movies, historical events , great civilisations, or the richness of  Trinidad’s own cultural amalgam, K2K has drawn inspiration from some of the most popular and influential designers of fashion, film, and stage today. Looking at the mas of the Norman twins and tracing the possible seas of influence of these creations reveal this pantheon of fashion to us clearly.
Most of the head pieces take the curves and swirls in form, echoing the style of Philip Treacy,  in the sections you can see sprays of Jean Paul Gaultier, waves of Eiko Ishioka and a shimmer of of John Galliano. If there are any influences of any legendary mas designers in this band it is a splash of Peter Minshall in (rage and fury female).


Red sea rage and fury, looks like Eiko Ishioka's
Stargher  King in the movie 'The Cell'.



Looking outside the little box of Trinidad’s modern day carnival for new inspiration is a concept that I have, (as some of my readers say) ‘ranted on’ about for some time now.  It has baffled me over the years as to why none of the multitude of so called designers and bandleaders of the growing number of new bands have never attempted to also draw from the fashion industries extreme designers who’s show’s and avant-garde designs can so easily be transferred to the genre of contemporary mas.

Sea of Galilee.
When the Blog Trinidad’s Carnivals gave me the opportunity to put this question to the Norman twins this as their reply.  

To be honest I am not quite sure. However, if “no one ever challenged the status quo everyone would think that the world was still flat”. Thus, we are trying to challenge the ordinary, think outside the box and offer the masquerader something different. Men like Peter Minshall & Wayne Berkeley have set a very high bar in mas making. They have put our generation in the launch pad and it is up to us to take-off and take mas into another arena. We hope to be those faces to take carnival to a new level by mixing fashion with mas, and expressing mas as a contemporary art form.” 

These ladies are definitely the pioneers of their generation. 

River Jordan.
This is without a doubt is a fashion centric mas, the men’s costumes are tailored in construction, straight lines, buckles and leather straps. The female costumes are powerful and iconic, the artistic eye and abilities of the twins are undeniable, and the costumes are of an extremely high standard, I think this presentation more than that of any of its contemporaries can be called couture mas, that these costumes are well crafted is an understatement.

Saraswati River.
With all the strengths of this debut presentation, from the powerful message of spiritual redemption and self knowledge to its metaphorical aquatic theme, to the decorated body suits and beautifully pleated leggings there is but one chink in this bands proverbial armour.

Looking at the mas I can’t stop thinking designers drew too much from the pools of high fashion.
In their brave rejection of the repetition and mediocrity that is popular 21st century fantasy mas, and producing this fresh, bold, and daring contemporary work, my opinion is that the fashion has overpowered the spirit of the mas, there is rigidity in fashion that is reflected in these costumes, and this rigidity counters the fluidity of both water and consciousness.

It was almost too easy for me to identify the pools of influence, that were used in each section, and while there is nothing wrong in drawing from these pools of influence, drawing a little too much can upset the balance, and the Norman twins  have drawn form some of fashions most iconic images.
While I respect that they are not trying to be anything like the legends that have preceded them I do find that it’s always good to take notes from the greats.

Ncome River.
“... you put just enough for the audience to do the rest of the work, if your too obvious with it you leave them bored...”Peter Minshall on designing the hummingbird. (See Masman)

In 2006 I called Tribe the Leaders of the NewSchool in Trinidad and Tobago Carnival,back then I saw their approach as new and innovative. Today I pass this title to K2K,this band is as fresh as a breeze coming in from the Caribbean Sea, like I said on Face book it’s a shot in the arm that T&T’s Carnival desperately needed. I do hope that this band is seen as a challenge to the rest of the mas fraternity to be brave and challenge the now old tired order that mindless fantasy mas has become.







I truly hope to see K2K on the road for 2012 and many years to come.
If you want to see more of this band  see the website. 


Related articles
Enhanced by Zemanta

Share it.

Translate

Instagram

Instagram

ShareThis

Related Posts Plugin for WordPress, Blogger...

Facebook Badge

MAS REPUBLIC Headlines


This is MassassinnatioN

Global

QR

QR

Subscribe via email

Enter your email address:

Delivered by FeedBurner